The Living Dead

An innkeeper in sheer despair murders a passing by musician and steals his money in order to buy medicine for his dying wife. Eventually, he falls into an endless turmoil of guilt and madness.

Moritz Stiefel faces expulsion due to poor marks. When he is caught with an essay titled “Shame and Lust”, he is indeed kicked out – instead of classmate Melchior Gabor, who actually penned it. Gabor was drawing on his experiences with neighbourhood girl Wendla. Then Wendla turns up pregnant. Stiefel descends into despair ... Exploitation between Eros and Thanatos in this “sexual tragedy of youth” based on Frank Wedekind’s play. Setting the film in the 1920s provided a chance to explore “modern” youth culture, complete with cigarettes, jazz music, the gramophone, and a goodly bit of alcohol. Richard Oswald, a master of films of manners and young sex beginning in the 1910s, fully explores the temptations of the youthful body, even early childhood flirtatiousness. At the same time, with his target audience in mind, the film laments the bigotry and double standards of the adult world.

Thomas Bezug, the richest man in the world, is a solitary, domineering and cruel cripple, who hardly can move on his crutches. He dwells a fanatical love for his son, whom he holds like a monkey in a cage. His servants are defaced dwarfs. His secretary is trying to steal Bezugs assets. These are the night people.

A German soldier lies wounded on the front line in the First World War. To avoid capture or death, he assumes the identity of a fallen French officer. As the German soldier happens to speak fluent French, nobody realizes the deception. The soldier begins a new life in Paris, yet remains in constant fear of being exposed as the ‘enemy’.

At the center of this social satire is the wealthy and bored couple Irene and Erik. When Erik meets Hilde, who comes from a humble background, one evening in a chic club, he sees an opportunity for the couple to sexually spice up their worn-out relationship and to escape through a ménage à trois.

An adventurer tries to seize oil deposits in Mongolia .

When Gräfin Mariza visits her country estate it is certainly an event. She gives a party to celebrate her engagement to a certain Koloman Zsupan, who unexpectedly shows up. Her authoritarian ways collide with Török, her manager. Based on Emerich Kálmán operetta.

Philanthropist attempts to awaken the good side in criminals.

An episode in the life of the Austrian composer Franz Schubert, who wrote the most beautiful love songs, but whose love life was very unhappy: The timid, myopic and rather portly Schubert falls for the beautiful, blond Countess Maria Esterhazy and has impossibly unrealistic fantasies about the two of them as she only admires him for his music. When he’s fired from his position as a teacher in the parish school, the village innkeeper Therese, who secretly has the hots for Schubert, gets him an engagement at a concert in Palace Esterhazy.

Drama about street walker Elena who marries shop keeper Albert. When her former pimp Peter shows up, her life is ruined. She shoots him and poisons herself.

One of the last of the silent Sherlock films.

A young woman receives an invitation from the Governor of an island prison to spend a week with him. She does so, but conceals the fact that her husband is being held as a convict on the island.

The married Lady Emma Hamilton has an ill fated romance with Admiral Horatio Nelson.

A demon, a reaper, and the ghost of a prostitute read gothic short stories and act them out.

This movie, directed by Richard Oswald, is based on the operetta "Les contes de Hoffmann" by Jacques Offenbach (1819-1880), which is a genial musical potpourri from various short stories and novels by the Prussian writer, composer, painter, lawyer and judge E.T.A. Hoffmann (1776-1822). While Hoffmann's literary work was longtime considered to be merely fantastical, it was finally researched, in the last years, according to its metaphysical background. Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques only described in the works of Bachtin and Bachelard.