Paul Wegener

In this film, the people of a Tyrolean town climb up into the nearby mountains, searching for a place where they can hold a picnic and a spring festival: ideally, a place where they can eventually erect dwellings and cultivate crops. Led by the local nobleman (Arthur Ehrens), they find an appropriate spot, and the festivities begin. Some children briefly perform a charming folk dance. Suddenly the Rübezahl arrives and threatens to kill all the townsfolk if they don't leave immediately.

A terrible accident robs the successful artist Imhoff of his sight—a jet of flame shoots out of the kiln where he hardens his sculptures, and his career seems over. An attempt to surgically restore his sight fails. While he lies in his sickbed, the sensitive nurse Agnes tenderly cares for her patient. She gives him courage when he is on the verge of despair. Thus, a tender love slowly develops between patient and nurse. Eventually, Imhoff and Agnes marry, and his first attempt at sculpture, even in his blindness, is to be a sculpture of his wife's face. However, since Imhoff has never seen Agnes, she fears he will create an idealized image of her that she cannot live up to. Therefore, after a second operation, he initially conceals the fact that he can see again. He wants to "get used to" his wife first... But how long can he maintain the charade?

Lothar von Pütz and Roswitha von Krakow fall in love and only then discover that their fathers are bitter enemies. When Lothar's father dies, a close friend of his father's, Baron Maximilian von Hanckel, takes the boy under his wing and tries to make peace between the families. He visits Roswitha's father, who begins to hope that he can marry his daughter to the older, but wealthy, baron, who is still a bachelor. When an argument breaks out between Lothar and Roswitha, she agrees to marry Maximilian. It is only at the pre-wedding party that Roswitha and Lothar have a real conversation. Maximilian overhears everything, releases Roswitha from her vows, and brings the two young people together.

A moving actor at the rococo era shows the power-hungry-crude minister of a small state prince in the barriers, while he makes use of his resemblance to the sovereign and slips in his role. - Double role for Rudolf Forster who plays his figures very much chilly.

During Napoleon's victorious campaign in Germany, the city of Kolberg gets isolated from the retreating Prussian forces. The population of Kolberg refuses to capitulate and organizes the resistance against the French army, which immediately submits the city to massive bombardments.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

Nazi film about the story of a Nazi Storm Trooper named Horst Wessel--here called "Hans Westmar"--who took part in street brawls and assassinations in Berlin in the 1920s and 1930s against Communists and other opponents of the Nazis, and was killed by Communists not long before this film came out.

Spanning the years between the Bolshevik Revolution and 1930, this Negri vehicle focuses on an exiled Russian noblewoman who has lost track of her daughter and of a young officer she pined for.Until she finds them both again and together.

Die Weber (1927), a rousing German tale of the 1844 weavers’ revolution.

A small banking family is put to the test: Brigitte, the wife of the banker Sparrenberg, has a secret: she was once the lover of the fraudster Baron Gaffris, who once used her to get close to well-off businessmen. Now Gaffris is trying to use her to trick her husband. After a fight between Brigitte and Gaffris, Brigitte’s daughter Ina seeks out the baron in an attempt to help her mother. Afterwards, the baron’s suddenly found dead on the floor. Brigitte takes all the blame, goes to the cops and admits to having stabbed Gaffris.

Walter Gruber once belonged to a group of unscrupulous, money-grubbing poachers. Now released from prison, he is determined never to touch a gun again. He was imprisoned for poaching, but they couldn't prove he fired the shot that wounded forester Kuhnert. Upon his return home, Walter is horrified to discover that his former lover, Kuhnert's daughter Grete, has since married someone else. Grete still loves Walter, with whom she was pregnant. But her father would have made life a living hell for her and the child had she not married another man. This man, Robert Thiele, is still poaching and is extremely ruthless in his methods. Robert eventually blackmails Walter into rejoining the poachers. When the gang shoots the old forester Kuhnert, Robert shifts suspicion onto Walter.

A young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.

King Frederick II (aka "Frederick the Great") of Prussia is engaged in a major battle against the Austrian army at Kunersdorf, and things aren't going well. The Austrians are inflicting major casualties, and his army is beginning to crumble. Defeat seems inevitable when a combination of events gives him hope that he may pull victory from the jaws of defeat after all.

Rodrigo Borgia, Pope Alexander VI, has three adult children: Juan, who is virtuous and has a sweetheart who is a woman of the people, Lucrezia, who is virtuous and wants to marry Alfonso, and Cesare, who is wicked and lusts after Lucrezia, Juan's girlfriend, and probably others. Cesare has vowed to kill any suitor for Lucrezia's love, and he has three thugs to carry out his wishes. Bodies fall into the Tiber, into the Colosseum (with lions prowling), and onto the Vatican floors.

Thomas Bezug, the richest man in the world, is a solitary, domineering and cruel cripple, who hardly can move on his crutches. He dwells a fanatical love for his son, whom he holds like a monkey in a cage. His servants are defaced dwarfs. His secretary is trying to steal Bezugs assets. These are the night people.

A well scripted and captivating thriller about the owners of a small private bank in Berlin, squeezing money out of honest business firms, causing their bankruptcies, and then trying to smuggle the cash into Switzerland.

Young Jan Bergwall visits his grandmother, the so-called centenary, at Woyland Castle. There he meets his cousin Andrea, who everyone calls "Fundvogel". Jan is fascinated by the young girl's beauty, and soon there is an erotic tension in the air between the two. Although they both have strong feelings for each other, they are afraid to make a commitment, even though their domineering grandmother is determined that they marry. Panicked that he might feel obliged to marry Andrea, Jan escapes from this place. Andrea is deeply disappointed and seeks revenge. Out of spite, she becomes involved with the falconer Bartel and is later raped in a wooden hut. The centigress, concerned about morals and customs, then sends Fundvogel to a convent. She escapes from there and flees into the arms of Jan. When he learns from a letter from the countess what has happened to Andrea, he leaves her a second time. In her despair, Fundvogel then throws herself off a bridge into the floods with suicidal intent.

Prague, Bohemia, 1820. Balduin, a penniless student, falls in love with Countess Margit, a wealthy noblewoman whom he has saved from drowning.

The Ethiopian King offers his daughter to a powerful Pharaoh to secure peace between the two countries.

Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.

The hypnotist Svengali makes an artist's model sing, but cannot force her love.