Eugen Klöpfer

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

For many years, Ulrich, the hereditary forester, and Steinbach, the landowner, were the best of friends. But one day, this friendship is put to a severe test: Driven by financial need, Steinbach wants to have the forest cleared, which Ulrich condemns as brutal exploitation of nature – and therefore refuses to grant permission for the project. To clear the way for his plan, Steinbach ensures that Ulrich is dismissed as forester. When, a few days later, the dam built by Steinbach is blown up and the floodwaters inundate Steinbach's sawmill, suspicion immediately falls on Ulrich. The hereditary forester is ostracized, threatened, and even fears for his life.

"The Bear Joseph", so named because of a fight with a bear, is rescued by Wally, a farmer's daughter, from a dangerous situation in a vulture's nest. He then calls her "Geierwally". They fall in love. Wally's father disapproves of this romance. He has other plans for Wally.

Propaganda film detailing the plight of ethnic Germans, known as "Volga Germans", in the Soviet province of Manchuria.

Martin Berger’s 'Menschen' serves as a harrowing socio-cinematic autopsy of the human spirit, adrift in the wreckage of a post-war landscape. Far from the escapist fantasies that often dominated early Weimar screens, this 1921 opus delves into the penumbral existence of the disenfranchised. The narrative follows a fatalistic trajectory, where the characters—portrayed with a raw, almost primitive intensity—grapple with the crushing weight of systemic indifference and personal moral decay.

Parisian Women (German: *Pariserinnen*) is a 1921 German silent film directed by Léo Lasko. Ressel Orla, Xenia Desni, and Ralph Arthur Roberts starred in the film. The film premiered at the Marmorhaus cinema in Berlin.

Nazi historical drama about Duke Karl Alexander of Württemberg and his treasurer Süß Oppenheimer.

A gambling-drama based on Dostoevsky’s works: The retired General Kirileff is addicted to gambling and also has a costly affair. He takes out a loan from the greedy imposter Vincent, for which he is to pay an exorbitant interest rate. Vincent, for his part, wants to get closer to Kirileff’s daughter Nina, who is to inherit her grandmother’s fortune one day. Nina tries to help her father and goes to the gambling tables, only to lose a lot of money. She asks Alexej, her father’s secretary, to play for her. Alexej is in love with Nina and would do anything for her. He plays; at first loses; then asks Nina to get Vincent out of there. Once that happens, he wins a large amount of money, becomes overbearing and treats Nina like a prostitute.