Harald Paulsen

Postman Titus Müller returns from his daily rounds with a letter that will change the course of his modest provincial existence.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

In 1887 in Munich, a rising artist paints a portrait of a dancer. The success of it during an exhibition leads to him being awarded a major commission in Rome, and he begins to move in high society. By the time he returns home he has almost forgotten about her.

Peter Korff isn't a famous actor yet, but he is young, handsome, adventurous – and once again hopelessly in love. The object of his affection is named Erika and works as a model at the fashion salon "Yvette." Although the pretty young woman claims to be just as in love with Peter as he is with her, she's always up for a little fling behind his back.

This film is a fascinating showcase for Emil Janning's theatrical play. He's a gentle school teacher who believes in his boys and is easily fooled about all things, while the other town officials want him dismissed. Curiously it's very hard to see what the film is exactly aiming for. Disaster strikes and the lax prof proves to be too far removed of the real problems of the world, on the other hand his enemies are shown in the most unsympathetic, satirical way denouncing the militaristic, bourgeois ideology of the Kaiserreich.

During a spectacular break-in at the villa of film star Marion Milner, the jewel thieves fortunately only manage to get their hands on imitations of the valuable jewelry. The police suspect the notorious master thief Silver-Jim, whom they have long been after. The commotion surrounding the break-in comes in quite handy for film producer Otto Pitt, who is currently shooting a crime film, as he hopes it will generate some free publicity for his project.

A masked hero scales the walls of buildings and relieves burglars of the money or valuables they've stolen. He donates the stolen goods to charity and turns the criminals over to the authorities. An exotic dancer falls madly in love with this hero whose face she has never seen. But who is hiding behind the mask?

Newlyweds Käthe and Max met while studying law. Trouble ensues when Max takes on his first case without telling his wife.

A pretty girl helps a popular Berlin policeman solve the murders of a woman he knew and the crooked banker the victim worked for.

All throughout his entire life, Friedrich Wilhelm Hoffmann let his career run roughshod over his personal life. He had no wife, because he was married instead to his chocolate factory. Now he’s old and gray, and his relatives, who are greedily waiting for him to kick the bucket so they can get their hands on his worldly goods, keep their distance from him. Then one day, an astonished Hoffmann is visited by a young woman named Brigitte, who asserts, that she’s his granddaughter. Suddenly, it all comes back to the old man: as a young man, he had a short, but intense, love affair, which he had to end on the insistence of his father.

Der Herrscher (The Sovereign) was based on Before Sunset, a play by Gerhart Hauptmann. The great Emil Jannings stars as Mathias Clausen, a self-made businessman who is forced to do a great deal of soul-searching when his wife unexpectedly dies. Determining to start life anew, he falls in love with his secretary Inken (Marianne Hoppe) and impulsively takes a vacation to Italy. Clausen's selfish grown children, not wishing to share their father's affections -- nor his money -- with his new wife-to-be, go to court demanding that Clausen be declared mentally incompetent. Upon finding this out, Clausen flies into a rage, leaving the audience to wonder whether or not he really as gone off his trolley. Der Herrscher was directed by Veit Harlan, more famous (or notorious) for his viciously anti-Semitic Jud Suess (1940).

A finicky old bachelor falls head over heels for an attractive young woman he meets.

In a small town a bag with delicate letters disappears. Many of the residents are worried about their written messages. A clever sculptor uses the opportunity to play a prank.

The two happy fitters Eddy and Tommy are doing overtime to ensure the great travel-exhibition of the department store they work in is ready for display. Outside, they see a poor newspaper seller, who looks longingly at the beautiful things in the display window. So they simply decide to smuggle the unfortunate inside and compete to win her favor by giving her gifts from the shelves of the department store. In their frenzy of happiness, they don’t notice that the girl is taking the fun little game for the truth. When she realizes that she has to give back the alleged gifts, she runs away.

A crazed scientist murders his wife, walls her up, then flees. A reporter sets out to track him down. Remake of Unheimliche Geschichten (Richard Oswald, 1919).