O episkeptis tis omihlis

Kostas Tsakonas is Thomas Rezilikis, a professional unemployed pontiac with a strange habit.

Eighteen hundred Greek political refugees and their children return to Greece after 35 years of exile in the village of Beloiannisz, built near Budapest in 1950.

Petros Pelekis is shaken when he receives a letter from America informing him that the feud between his family and the Patakas family continues, and that the last Patakas is coming to Greece to kill him. Petros lives in constant fear that anyone he knows could be his would-be killer. To protect himself, he hires Kostas, his neighbor's wife's lover.

Others can't manage with one... but Panos manages with three! And each of the three thinks she's the only one. But there are also unpredictable factors. So at some point, the three "chicks" meet and Panos desperately tries, with the help of Beba, to get out of the mess...

A young man, Kostas, together with two friends, sets for a journey on a sailboat, looking for something precious that his father hid on one of the Aegean islands during the years of Greek Resistance and Civil War.

A humble clerk gets his lucky break when a compassionate man offers him a well-paying job. Now, his relatives all want a piece of his salary, as his mother-in-law is telling everyone that he is rich. Is there an easy way out of this mess?

Thanasis is part of a mistaken identity featuring an angry brother concerned about his sister's troubled marriage.

The heirs of two Cypriot winemakers and sworn rivals visit incognito the city of Paphos to flee from two arranged marriages of convenience, only to meet and fall in love. Is this a star-crossed affair in the likes of Romeo and Juliet?

Katia Karalis is a simple typist in a newspaper but wants to be a journalist. One day she learns from her director that Chris Back, a high profile dressmaker. However, in order to provide him with a quiet holiday, he has presented his double to the hotel, and Katia, accompanied by Gregoris, a photographer who is in love with her, watches him everywhere, falling from gaffe to gaffe. Ultimately, despite all the difficulties, they make the great journalistic success after they manage to get an interview with the real Chris Back, namely Christodoulos Baka.

During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.