Eglimata

Haris and Marina are a young couple facing financial problems. When Marina is informed that a distant aunt of hers, whose existence she was unaware of, has passed away and bequeathed her an old mansion in Kifissia, she sees a solution to their problems looming. But they will soon discover that... they are not alone in it. In fact, the mansion is haunted, and is inhabited by nine crazy ghosts, from every era and turn of history, ancient and modern, who have inhabited it throughout the centuries, while its basement also contains surprises... The arrival of the uninvited visitors will not please the permanent residents of the mansion at all, who will set out to get rid of them by any means necessary!

Pre-marital cold feet makes Vicky, a beautiful Greek woman that lived in Australia for years, come up with a plan to switch sides with a friend of hers (Stella, an obese but kind-hearted and streetwise Greek woman), while on board the flight taking her to Athens to meet her future in-laws.

A golden boy suddenly lands in exotic Kato Partali, a village in Arcadia with many beauties, many secrets and very special people.

Ntoltse Vita is a Greek comedy directed by Alexandros Rigas and co-written with Lefteris Papapetrou which aired on Mega Channel from 1995 to 1997. The series focused on the illegal affair between Christina Markatou and her daughter's future husband. The entire structure of the show was based in which way the relationship will remain secret from the family members, the working and social environment through hilarious situations. Ntoltse Vita draw high ratings and is one of the most successful series in Greek television history. Reruns of the show are airing until today.

Eliza Stamatiou lives with her mother, Margarita, and her younger brother, Giorgos, somewhere in Brahami. Their financial situation is very good and everyone at home has relative freedom of movement. Eliza works for a large insurance company, but her "secret" desire is to work in cinema, regardless of her specialty. In the boredom of everyday life and a rather indifferent life, Eliza juxtaposes her imagination, which has been fueled by endless hours in movie theaters or in front of the video. Her generally unsuccessful attempts to transfer elements and situations from movies and their corresponding heroines to her daily life, provoke laughter and emotion.