Ζήσε για την αγάπη μας

Eighteen hundred Greek political refugees and their children return to Greece after 35 years of exile in the village of Beloiannisz, built near Budapest in 1950.

Petros Pelekis is shaken when he receives a letter from America informing him that the feud between his family and the Patakas family continues, and that the last Patakas is coming to Greece to kill him. Petros lives in constant fear that anyone he knows could be his would-be killer. To protect himself, he hires Kostas, his neighbor's wife's lover.

Others can't manage with one... but Panos manages with three! And each of the three thinks she's the only one. But there are also unpredictable factors. So at some point, the three "chicks" meet and Panos desperately tries, with the help of Beba, to get out of the mess...

A young man, Kostas, together with two friends, sets for a journey on a sailboat, looking for something precious that his father hid on one of the Aegean islands during the years of Greek Resistance and Civil War.

A humble clerk gets his lucky break when a compassionate man offers him a well-paying job. Now, his relatives all want a piece of his salary, as his mother-in-law is telling everyone that he is rich. Is there an easy way out of this mess?

Thanasis is part of a mistaken identity featuring an angry brother concerned about his sister's troubled marriage.

Kostas Karavedouras is the conductor of the municipal orchestra in a small town in the country, when he decides to leave for Athens to become a great classic music performer. He is staying temporarily at his cousin’s place and he spends all his spare money with his landlady’s daughter. He works in many places just because he doesn’t want to work as a bouzouki player. Finally, the owner of the club where he was working as a waiter, takes him into performing for him and Kostas ends up being what he always avoided, a bouzouki player.

Sotiris works in a mall and he dress up like a crocodile man.

During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.