Kostas Arzoglou

The year is 1965. Natasa Arseni visits Dachau, the place where she was found by the Americans at the end of the World War II. She returns to Greece, and during the train ride she recalls those past events. Before the beginning of the Greek-Italian war, she met Orestis . With the German invasion, Orestis, who was an officer in the Greek army, left for the Middle East. She followed him and accompanied him back to occupied Greece on a mission. She was arrested, interrogated and tortured and was finally sentenced to execution.

Maya is a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda, a Bible-spouting American woman serving time in an Athens prison for that very crime.

A poetic visit to the city of Athens, based on paintings, poems and philosophical texts.

A group of intellectuals holidaying together at an isolated beach become mentally unhinged by the presence of a beautiful English nudist.

A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.

At the turn of the twentieth century a young merchant is abducted by a group of brigands who are sheltered in a remote mountainous area of Greece aiming to extract ransom from his wealthy family. The young man develops a kind of sympathy to the arch-brigand and realizes that the underground life and moral code of his kidnappers actually represent a more genuine expression of “New Hellenism” than his bourgeois well-being.