Family Meeting

Family Meeting

1936 · 71 min · Drama

A melodrama about a businessman's relations with the three women in his life.

Directed by Yasujirō Shimazu · Written by Tadao Ikeda

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In a household of three the husband is a salaryman who lives with his younger sister and wife in Tokyo. He is returning home late in the evenings because he plays go, or a Japanese version of chess, with his boss. The wife and sister are unhappy about this. The man's co-worker advises him to stop the late evenings out with the boss, but the man cares less. His sister works at a foreign firm and speaks English. When a man who had earlier visited her workplace returns and asks her out for dinner, she rejects him by lying about a husband. He had made impolite comments about her in English during his earlier visit not realizing she understands him.
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The poor novelist Yamamoto is writing his novel, determined and with a headband around his head. With him, the novelist who is always in trouble paying his bills, is the girl Saya who becomes the model for his novel. Saya however is in love with a young driver. When he is forced to move into a spa town as the result of the jealousy of another man Saya is terribly sad. But with the help of Yamamoto the driver's rival can be revealed and Saya can finally be with her beloved.
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Keitaro is a law student and Yaeko is a high school girl. They are neighbors, and their friendship is starting to develop into something more romantic. Then, Yaeko's sister Kyouko has a breakup with her husband and returns home. Kyouko is clearly interested in Keitaro and Yae becomes anxious.
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A man who works late hours at a deadening job lives together with his wife and his younger sister. The younger sister's a modern girl who's starting to receive romantic attention from one of her co-workers.
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Pre-war Asakusa was a riotous district of cabarets, dance-halls and brothels - a striking backdrop for Shimazu's story of innocence and experience. Pretty, young Reiko is the new dancer in an infamous theatre troupe, and her fellow performers try to protect her virtue in a land of vice. Meanwhile, an ageing actor wants to be a hero off stage as well as on, and the troupe matriarch Marie has to keep them all together.
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