Takeshi Sakamoto

Yakuza of Seki

A young yakuza, Yatappe, wanders around the country in search of his long-lost little sister, Oito. While traveling, he rescues a young girl, Osayo, whose father entrusts her to him with his dying wish. To honor his promise to Osayo's deceased father, Yatappe brings her to safety, and from a distance keeps a watchful eye on her well being.

Ballad of a Workman

A demobilized soldier becomes a day laborer with a road construction gang, and his wife goes to work to bolster their income. Their modest dream is to see their son grow and to be happy as a family.

The Cock Crows Twice

Three young women make a suicide pact, but they grow to have a better understanding of themselves.

The Princess and the Bearded Lord

The Beauty Expert

Mother is Strong

The Luck Which Touched the Leg

A salaryman finds some money in the street and gets a reward for returning it to its rightful owner. However his colleagues immediately start borrowing money and selling him things he doesn't need, much to his wife's annoyance. Considered to be a lost film.

Sumida River

Inoue was something of a rarity in the sense, that he was a Shochiku house director who seems to have worked mostly in period films, often with big stars like Hasegawa or Bando. "Sumidagawa", named after the river that runs through Tokyo, is also a period film, but thematically a modern one. All the themes that you associate with the normal Shochiku women's films set in the present day are in this film, just in a different context: love, the planning of a marriage, career, family relations and societal melancholy. There is no action or swordplay.

Yakuza of Seki

A young yakuza, Yatappe, wanders around the country in search of his long-lost little sister, Oito. While traveling, he rescues a young girl, Osayo, whose father entrusts her to him with his dying wish. To honor his promise to Osayo's deceased father, Yatappe brings her to safety, and from a distance keeps a watchful eye on her well being.

Ballad of a Workman

A demobilized soldier becomes a day laborer with a road construction gang, and his wife goes to work to bolster their income. Their modest dream is to see their son grow and to be happy as a family.

The Cock Crows Twice

Three young women make a suicide pact, but they grow to have a better understanding of themselves.

The Princess and the Bearded Lord

The Beauty Expert

Mother is Strong

The Luck Which Touched the Leg

A salaryman finds some money in the street and gets a reward for returning it to its rightful owner. However his colleagues immediately start borrowing money and selling him things he doesn't need, much to his wife's annoyance. Considered to be a lost film.

Sumida River

Inoue was something of a rarity in the sense, that he was a Shochiku house director who seems to have worked mostly in period films, often with big stars like Hasegawa or Bando. "Sumidagawa", named after the river that runs through Tokyo, is also a period film, but thematically a modern one. All the themes that you associate with the normal Shochiku women's films set in the present day are in this film, just in a different context: love, the planning of a marriage, career, family relations and societal melancholy. There is no action or swordplay.

Our Chief, Our Doctor

It chronicles the experiences of a neighbourhood doctor, whose taste for tonkatsu (a popular Japanese dish, similar to a pork schnitzel) earns him the nickname ‘the pork cutlet prince’ (‘Tonkatsu Taisho’, the film’s Japanese title) from the affectionate residents of the tenement in which he lives. When a local hospital, run by a female doctor, plans to expand, the future of the tenement is called into question.

A Certain Woman

Pretty Oshige is deceived by her first love. After this, she lives a hard lifestyle, working at a number of jobs. Her only pleasure is her nephew, who eventually becomes a merchant marine. When Oshige meets her old love ten years later, she is able to forgive him and even thank him for the path her life has taken.

The Dawning Sky

A melodrama about an orphan and her mother who are separated and lose contact, but are later reunited.

The Man Who Has Returned

Mother's Love Letter

Domestic comedy involving a strong wife and a "henpecked" husband taking place in a family-run judo school.

My Elder Brother

Jyuta, an honest owner of a taxi company, has a younger half-brother who is involved in the yakuza world and doesn’t get along well with his mother. Jyuta tries to correct him…

The Tree of Love

A young doctor, Kozo Tsumura, falls for young nurse Katsue Takaishi. But she's got a secret: she's a widow with a son. Kozo and Katsue decide to run away to Kyoto, but her child suddenly became sick and she just missed the train and Kozo. She makes it to Kyoto finally, but is unable to meet him. Plus she isn't accepted into Kyoto society. She goes back to her hometown and tries to forget him. She quits the hospital to concentrate on her singing. She makes her professional debut with the hit "Aizen Katsura". Kozo is in the audience.

Spring Comes from the Ladies

A student comes up with various schemes to avoid paying a tailor the money he owes him. Considered to be a lost film.

Flowers of Patriotism

A nurse's tale of self-sacrifice during wartime. The title is borrowed from a patriotic song made popular by singer Hamako Watanabe during the Second Sino-Japanese War.

Dreams of Youth

Lost silent film

The Bride Talks in Her Sleep

This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.

Moon of the Plateau

An older sister and brother (Mieko Takamine and Masayoshi Otsuka) come to visit their grandfather (Takeshi Sakamoto) who lives deep in the mountains. As for their parents, father was serving in the South Seas and mother died of illness on her way home. So, the brother, who is still young, will live alone with his grandfather whilst the sister goes away to study to become a teacher.

Walk Cheerfully

Raucous small-time thief Kenji falls in love with sweet and simple Yazue, but when she finds out what kind of guy he really is, she leaves him until he proves to be honest. Kenji soon finds it's not so easy to get rid of one's past.

Hell's Kitchen

Theater

Kotobuki-za is a story of the Naniwa-bushi singer Baichuken Tsurumaru.

Wife Lost

A married man falls for a dancer and his wife's uncle hires a private detective to spy on him. Considered to be a lost film.