Police Car

Sitting on a promenade in nice with a sign: Watch me, that’s all.

"Single Frame sequences of TV or film images, with periodic distortions of the image. The images are airplanes, women men interspersed with pictures of texts like: 'silence, genius at work' and 'ich liebe dich.' The end credit is 'Television décollage, Cologne, 1963."

Swimming across Nice harbour fully clothed. Ben swims across a bay in Nice.

In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.

Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models

Single frame exposures of dot-screens.

Various gestures of hand held razorblade, single frame exposures.

"INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain the lost-eye consciousness." - Jonas Mekas

Word & number gag, no camera.

A smile gradually fades into a neutral facial expression.

Flicker: White and black alternating frames.

Time counter, in seconds and minutes.

Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10

Numerals on clear film from 1 to 1000."

A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.

Features entrance and exit door signs, fading through black and white.

Begins with a picture of Marilyn Monroe, then shifts to a female body, shot from belly button down, which is wriggling under piles of cellophane.

Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso.

X-ray sequence of mouth and throat; eating, salivating, speaking.

Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.

This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.

A handful of rocks and chestnuts falling, filmed with high speed camera.

Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.

Single frame exposures, color. Different image each frame, various items in the room, etc.

Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.

This is fluxfilm No. 21 and without a title

Close-ups of two faces, shouting at each other.

Color test strip from developing tank.

Following a series of title cards, a man in sunglasses briefly flutters his hands like fairy. Owen Land states that this film was not made by George Landow, and believes it should be credited to John Cavanaugh. "George Maciunas had a number of films which didn’t have titles on them. Then he put them together into his Fluxus reel and tried to remember who made them. It was an intentional Fluxus joke." (Owen Land, interview with Mark Webber, 2004)

Single frame exposures of words.

"Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall."

Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.

Lifting and holding up a chest of drawers.

Tips of feet walking at the edge of frame, all around the frame.

Face going out of focus by layering sheets of plastic between camera and subject.

Five Hours. Six Countries. Seven Chapters. Eight Conflicts. Nine Women.

Harry is a shy hardware store employee. But whenever he takes a part in a local amateur theater production, he becomes the part completely--while on stage. Helene is new in town, a lonely itinerant telephone company employee. On a whim, she auditions for and gets the part of Stella to Harry's Stanley when the theater group performs A Streetcar Named Desire. Before anyone realizes the growing affection between Helene and Stanley, she falls deeply in love with the sexy brute, not knowing what the real man is like.

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

Iconic American artist and filmmaker Andy Warhol is the subject of this documentary, which looks at both his life and his influence on pop culture. The film provides details about Warhol's upbringing in Pittsburgh and follows his move to New York City, where he found massive success turning pop imagery into art and eventually founded "The Factory," his famed studio and party venue. Among the many notables interviewed are Dennis Hopper, David Hockney, and Roy Lichtenstein.

Robert McCall is a former agent of a secret government agency who is now running his own private crime fighting operation where he fashions himself as "The Equalizer." It is a service for victims of the system who have exhausted all possible means of seeking justice and have nowhere to go. McCall promises to even out the odds for them.

Konrad, his sister Nina, and their friend Ito drift through the eastern Mediterranean in search of drugs, moving between decaying ports and shabby hotels. They steal, deal and sell their bodies to survive, while emotionally detached Konrad remains seemingly untouched by the increasingly destructive life around them.

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

A murdered body on a bridge between El Paso and Juarez bring together El Paso detective Sonya Cross and Chihuahua State Police detective Marco Ruiz.

Tragedy strikes when Heathcliff falls in love with Catherine Earnshaw, a woman from a wealthy family in 18th-century England.

Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.

The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.

A free-spirited woman "kidnaps" a yuppie for a weekend of adventure. But the fun quickly takes a dangerous turn when her ex-con husband shows up.

The story of Valerie Solanas, a '60s radical who preached misandry in her "SCUM" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he repeatedly ignored her. So she shot him.

Adrien is a nineteen year old who has not seen his father, Clément, for four years. Adrien returns home and the two try to repair their relationship. Clément lives with Louise, a twenty-something woman who wants to be an actress. Adrien starts a flirtatious relationship with Louise, which strains his newfound bond with Clément.

Laetita Masson directs this hallucinatory dream-like work about dancing on the beach, Elvis impersonators, and sailors longing to live and work in Taipei. Sandrine Kiberlain, Johnny Hallyday, and Julian Sands are just a few of the many cast members.

Rhinoceros Eyes is a fantastical coming-of-age story revolving around Chep, a young, reclusive prop-house employee who falls in love with a detail-obsessed movie production designer named Fran. Fran's need for authentic props sends Chep to great and questionable lengths as he tries to satisfy her requests, and ultimately... win her heart.