No. 4

Sitting on a promenade in nice with a sign: Watch me, that’s all.

"Single Frame sequences of TV or film images, with periodic distortions of the image. The images are airplanes, women men interspersed with pictures of texts like: 'silence, genius at work' and 'ich liebe dich.' The end credit is 'Television décollage, Cologne, 1963."

Swimming across Nice harbour fully clothed. Ben swims across a bay in Nice.

In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.

Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models

Single frame exposures of dot-screens.

Various gestures of hand held razorblade, single frame exposures.

"INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain the lost-eye consciousness." - Jonas Mekas

Word & number gag, no camera.

A smile gradually fades into a neutral facial expression.

Flicker: White and black alternating frames.

Time counter, in seconds and minutes.

Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10

Numerals on clear film from 1 to 1000."

A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.

Features entrance and exit door signs, fading through black and white.

Begins with a picture of Marilyn Monroe, then shifts to a female body, shot from belly button down, which is wriggling under piles of cellophane.

Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso.

X-ray sequence of mouth and throat; eating, salivating, speaking.

Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.

A handful of rocks and chestnuts falling, filmed with high speed camera.

Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.

Single frame exposures, color. Different image each frame, various items in the room, etc.

Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.

This is fluxfilm No. 21 and without a title

Close-ups of two faces, shouting at each other.

Color test strip from developing tank.

Following a series of title cards, a man in sunglasses briefly flutters his hands like fairy. Owen Land states that this film was not made by George Landow, and believes it should be credited to John Cavanaugh. "George Maciunas had a number of films which didn’t have titles on them. Then he put them together into his Fluxus reel and tried to remember who made them. It was an intentional Fluxus joke." (Owen Land, interview with Mark Webber, 2004)

Single frame exposures of words.

"Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall."

Cale makes a short film called Police Car. No sound, and it is in black & white. Part #31 in the Fluxus Film series.

Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.

Lifting and holding up a chest of drawers.

Tips of feet walking at the edge of frame, all around the frame.

Face going out of focus by layering sheets of plastic between camera and subject.

For one extraordinary week in February 1972, the Revolution WAS televised. DAYTIME REVOLUTION takes us back in time to the week that John Lennon and Yoko Ono descended upon a Philadelphia broadcasting studio to co-host the iconic Mike Douglas Show, at that time the most popular show on daytime television, with a national audience of 40 million viewers each week. What followed was five unforgettable episodes of television, with Lennon and Ono at the helm and Douglas gamely keeping the show on track.

The three-part documentary series, compiled from over 60 hours of unseen footage, captures the warmth, camaraderie, and creative genius that defined the legacy of music's most iconic foursome. The series also includes – for the first time in its entirety – The Beatles' final performance at London's Savile Row.

A documentary series on the career of The Beatles.

On the 30th of January, 1969, the Beatles performed an unannounced concert from the rooftop of their Apple Corps headquarters at Savile Row, within central London's office and fashion district. Experience the final and unforgettable iconic performance of The Beatles in a special 60-minute presentation, digitally remastered into the image and sound quality of IMAX DMR technology.

The film consists of continuous panning shots up a series of 367 human legs.

In 1969 Michel Auder began a series of video diaries that chronicled the art scene in downtown New York. In Chelsea Girls with Andy Warhol, Auder captures revealing moments in Warhol's public and private life: the opening of the 1970 Whitney Museum retrospective, a party held at John Lennon and Yoko Ono's home, a heated telephone conversation between Warhol, Viva and Brigid Berlin, and an illuminating interview conducted with Larry Rivers, the grandfather of Pop Art, following the publication of The Philosophy of Andy Warhol in 1975. The issue of money is a consistent topic of conversation with Viva, who after departing the Factory in 1969 sent Warhol a series of threatening letters demanding money.

In the future, an outbreak of canine flu leads the mayor of a Japanese city to banish all dogs to an island used as a garbage dump. The outcasts must soon embark on an epic journey when a 12-year-old boy arrives on the island to find his beloved pet.

Yuugo Hachiken enrolled in Ooezo Agricultural High School for the reason that he could live in a dorm there. In some ways he chose Ooezo in an effort to escape the highly competitive prep schools he had attended previously, but he was faced with an entirely new set of difficulties at Oezo, surrounded by animals and Mother Nature. After growing up in an average family, he began to encounter clubs and training the likes of which he had never seen before.

The story of The Beatles' last song featuring exclusive footage and commentary.

This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

John and Yoko in the presidential suite at the Hilton Amsterdam, which they had decorated with hand-drawn signs above their bed reading "Bed Peace." They invited the global press into their room to discuss peace for 12 hours every day.

A surreal, half-fiction, half real life footage of a day in the life of John lennon and Yoko Ono, composed to music from John's historic 'Imagine' album and Yoko's 'Fly'.

Tony Cox discusses his life and escape from cult leader John Robert Stevens of "The Walk" (Church of the Living Word) along with his relationship with his ex-wife Yoko Ono and John Lennon.

A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.

Young, urban newlyweds Paul and Jamie Buchman try to sustain their marital bliss while sidestepping the hurdles of love in the '90s.

A documentary on the life of John Lennon, with a focus on the time in his life when he transformed from a musician into an antiwar activist.