Philip Corner

Jonas Mekas captures an afternoon in New York as a Hare Krishna group fills the streets with chanting and song. Filmed with his characteristic freewheeling style and later incorporated into Walden, the short stands as an impressionistic sketch of spiritual fervor and Mekas’s participatory approach to cinema.

This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.