Spider Woman

In post-war Japan, a publisher goes to visit her former teacher for help on a modern translation of a legend about a mummified Buddhist monk who was revived and who, centuries later, turned into a sex demon who terrorized a village in pre-modern Japan.

A successful lyricist, Sakumaki (Yukio Ninagawa), lives with his partner Kazue (Keiko Fujita) and their daughter, though he has always kept an emotional distance from them. One night, he returns home to find a mysterious woman in black (Yuko Kusunoki) waiting in his apartment. She calmly tells him that he will die the next night at precisely 12:13 a.m. Shaken, Sakumaki flees, only to discover the same woman appearing wherever he goes. As her presence grows more menacing and unexplainable, his fear spirals into paranoia. Directed by Toshiya Fujita, the episode blends domestic drama with supernatural dread, blurring the line between hallucination and reality. With Ninagawa in a rare starring role, supported by Ichiro Zaitsu and Akira Nagoya, the story pushes its protagonist into a psychological nightmare where fate, guilt, and obsession collide.

A middle-aged office worker, Masao Okada (Eiji Okada), discovers that his worsening illness is terminal cancer. Shaken and resigned, he meets a mysterious man, Suzuki (Haruo Tanaka), who knows every detail of his life. Also a dying patient, Suzuki proposes a “game”: two men with little time left will live in suspense, wondering when and how the other might kill, using paranoia as a way to escape the greater fear of death. Directed by Yasuharu Hasebe and based on a story by Kyotaro Nishimura, this short TV film from "Horror Theater Unbalance" blends psychological dread with social reflection. Alongside Okada’s fragile romance with nurse Akiko (Masumi Harukawa), the story introduces a nihilistic subplot where a reckless young couple (Renji Ishibashi among them) engage in a fatal dare that ends in self-destruction — echoing the era’s sense of emptiness and contrasting Okada’s struggle to find meaning in the face of death.

In a struggling small theater troupe, director Inuo pressures an actor to perform a death role with extreme intensity, resulting in a fatal accident. Despite the tragedy, Inuo attempts to proceed with the scheduled performance. Legendary underground theater performers Jūrō Kara and Mako Midori appear in the episode, exploring themes of theatre performance, obsession, and the boundary between reality and illusion.

Based on the original mystery novel by Seicho Matsumoto. Novelist Ryuji Sugimoto is publishing his serial in a local newspaper when a woman from Tokyo subscribes, saying she’s interested in his work—only to abruptly cancel weeks later. Suspicious, he realizes her true interest may not be the fiction at all, but a real double suicide reported in the same paper.

In a bustling shopping district, a humble tailor accompanies his daughter for an afternoon out — until a trio of thugs begin harassing her in broad daylight. Unable to stay passive amidst the crowd’s indifference, he intervenes with tragic results. Two years later, having served time for excessive self-defense, he remains haunted by both the violence and the apathy of society. A veteran detective, still unsettled by the case, notices the tailor quietly providing money to the same thugs. What drives him? A modern horror tale with social undertones, adapted from Futaro Yamada’s short story “The Black Curtain,” this episode merges psychological unease, moral ambiguity, and a chilling critique of bystander indifference.

A university anatomy surgeon and lecturer, Dr. Mizukami, runs over and kills a corporate worker while driving with his student and lover, Ryoko. Instead of reporting the accident, Mizukami hides the dead body and attempts to carry on with his academic and professional life as if nothing happened.

A salaryman promoted against his will skips his first morning meeting and slips into a spiral of small rebellions—cafés, nightclubs, and a fleeting romance—while rejecting the rigid “medals” of corporate success. Torn between family and freedom, he plots a staged disappearance to reclaim a late-coming youth, in a bittersweet drama underscored by the haunting refrain of “Akita Ondo.”

The story of the Peanuts.

A portrait of a man trying to become an artist in order to escape from his life as a miserable peasant due to severe annual tribute during the reign of the fifth Tokugawa Shogun Tsunayoshi.

A young boss proves his right to rule his gang.

“I like shady dealings,” purrs undercover superspy Yabuki en route to infiltrating a sadistic, trigger-happy gang of international jewel thieves. Gone renegade from the shadowy espionage bureau that honed his killer instincts to a razor’s edge, the implacable Yabuki teams up with fellow mercenary crime fighter Yamawaki. Together, they follow a trail of stolen gems leading from the final days of WWII to a contemporary conspiracy that reaches into the highest corridors of corporate power and nefarious international villainy.

A coming-of-age entertainment film set to the tune of the hit song of the same name, depicting the friendship between a young photographer who believes in tomorrow and strives to live a bright and healthy life, and his three daughters.

A remake of High Noon (1952) as a Japanese jidai-geki sword-fighting movie.

Every day a car accident happens in the city. The involved parties are prey to the settlement agents (jidanya), mediators between the parts and the insurance companies to avoid time-consuming legal actions that could come when no settlement is reached (while cheating both parties out of some piece of the settlement pay). Genkichi is a well versed old-timer, that sees how his freshly out of collage son struggles to fit into the business, while at the same time facing one of his lowest rivals in a car crash incident.

A young journalist is writing an article on what happens to girls who are raped. He uncovers the story of a young girl who committed suicide when recognized by her former fiancee after she had become a prostitute. Other stories are interwoven, and the journalist finally comes to the conclusion, which he publishes, that "keeping your virginity until your wedding day will never be a source of regret for either men or women."

A comedy-action film depicting a kind-hearted protagonist who, feeling disillusioned with the world, asks a hitman for assistance with suicide, only to find himself embroiled in a thrilling and hilarious journey involving money and women.

A film filled with eroticism and humor, set in the Northern Alps where a naked woman has appeared, as depicted in the article “Naked Woman Appears in the Jungle,” and featuring a showman and a newspaper reporter.

The film is set in Fukagawa in the early Showa period and depicts a fateful confrontation between two men who rise and fall in a black stream, trying to live a real human life, violating the cruel laws of the passing generation.

The wandering gambler (Akira Kobayashi) once again picks up the dice he forswore in order to take revenge of the gangsters who exploit good citizens. The second installment in The Gambler series.

This is a magnificent drama about love and chivalry, telling about the stormy fate of Seiji, nicknamed "The Rising Dragon", who swore never to take up a sword again because of the emptiness of the Yakuza's life, and the passionate fate of his named sister Maki, nicknamed "The Scarlet Cherry Blossom", who falls in love with him without suspecting that he was the one who was responsible for her father's death and to whom she should take revenge.