Vampire Scream

In post-war Japan, a publisher goes to visit her former teacher for help on a modern translation of a legend about a mummified Buddhist monk who was revived and who, centuries later, turned into a sex demon who terrorized a village in pre-modern Japan.

A successful lyricist, Sakumaki (Yukio Ninagawa), lives with his partner Kazue (Keiko Fujita) and their daughter, though he has always kept an emotional distance from them. One night, he returns home to find a mysterious woman in black (Yuko Kusunoki) waiting in his apartment. She calmly tells him that he will die the next night at precisely 12:13 a.m. Shaken, Sakumaki flees, only to discover the same woman appearing wherever he goes. As her presence grows more menacing and unexplainable, his fear spirals into paranoia. Directed by Toshiya Fujita, the episode blends domestic drama with supernatural dread, blurring the line between hallucination and reality. With Ninagawa in a rare starring role, supported by Ichiro Zaitsu and Akira Nagoya, the story pushes its protagonist into a psychological nightmare where fate, guilt, and obsession collide.

A middle-aged office worker, Masao Okada (Eiji Okada), discovers that his worsening illness is terminal cancer. Shaken and resigned, he meets a mysterious man, Suzuki (Haruo Tanaka), who knows every detail of his life. Also a dying patient, Suzuki proposes a “game”: two men with little time left will live in suspense, wondering when and how the other might kill, using paranoia as a way to escape the greater fear of death. Directed by Yasuharu Hasebe and based on a story by Kyotaro Nishimura, this short TV film from "Horror Theater Unbalance" blends psychological dread with social reflection. Alongside Okada’s fragile romance with nurse Akiko (Masumi Harukawa), the story introduces a nihilistic subplot where a reckless young couple (Renji Ishibashi among them) engage in a fatal dare that ends in self-destruction — echoing the era’s sense of emptiness and contrasting Okada’s struggle to find meaning in the face of death.

In a struggling small theater troupe, director Inuo pressures an actor to perform a death role with extreme intensity, resulting in a fatal accident. Despite the tragedy, Inuo attempts to proceed with the scheduled performance. Legendary underground theater performers Jūrō Kara and Mako Midori appear in the episode, exploring themes of theatre performance, obsession, and the boundary between reality and illusion.

Based on the original mystery novel by Seicho Matsumoto. Novelist Ryuji Sugimoto is publishing his serial in a local newspaper when a woman from Tokyo subscribes, saying she’s interested in his work—only to abruptly cancel weeks later. Suspicious, he realizes her true interest may not be the fiction at all, but a real double suicide reported in the same paper.

In a bustling shopping district, a humble tailor accompanies his daughter for an afternoon out — until a trio of thugs begin harassing her in broad daylight. Unable to stay passive amidst the crowd’s indifference, he intervenes with tragic results. Two years later, having served time for excessive self-defense, he remains haunted by both the violence and the apathy of society. A veteran detective, still unsettled by the case, notices the tailor quietly providing money to the same thugs. What drives him? A modern horror tale with social undertones, adapted from Futaro Yamada’s short story “The Black Curtain,” this episode merges psychological unease, moral ambiguity, and a chilling critique of bystander indifference.

A university anatomy surgeon and lecturer, Dr. Mizukami, runs over and kills a corporate worker while driving with his student and lover, Ryoko. Instead of reporting the accident, Mizukami hides the dead body and attempts to carry on with his academic and professional life as if nothing happened.

A salaryman promoted against his will skips his first morning meeting and slips into a spiral of small rebellions—cafés, nightclubs, and a fleeting romance—while rejecting the rigid “medals” of corporate success. Torn between family and freedom, he plots a staged disappearance to reclaim a late-coming youth, in a bittersweet drama underscored by the haunting refrain of “Akita Ondo.”

Japanese horror movie from 1973.

Two lovable idiot "private detectives" (or at least, that's their cover story —more like gangsters) try to make ends meet on the mean streets of Tokyo.

Kohei Akiyama, a popular master swordsman, and his son Daijiro live in the town of Edo in good faith. While running a dojo, Daijiro and his father find themselves wrapped up in a series of events with the town's people.

After the son of a wealthy man is kidnapped, a tenacious young reporter decides to find the culprit.

Rising from the lowliest of country samurai to the heights of power as Taiko, Toyotomi Hideyoshi is one of the pivotal figures of the Sengoku period.

Drama about two college friends, now working for the same banking firm, torn apart by jealousy over their inequitable positions and love lives.

Domoto Kozue, a gifted young ikebana artist, shoulders the legacy of her late father’s school while navigating the pressures of family expectation and an arranged marriage. Her path shifts when she encounters Shinichi, whose presence stirs both inspiration and conflict within the tightly bound world around her. Amid love, rivalry, and the fragile beauty of flowers, Kozue must decide how to shape her own future.

TV series starring Ikko Furuya, based on the Kosuke Kindaichi mystery novel series by Seishi Yokomizo.

A police investigator cracks down on yakuza business, but once he realizes the police are in negotiations with certain factions, he sides with his own syndicate of choice.

Portmanteau film about young lovers.

A ruined businessman was forced to sell his daughter, Hisano, to a brothel in Yoshiwara, the largest red-light district in Tokyo. The owner of the brothel has hopes to make her a great new addition which will attract the richest of customers. But after several months of training, she tries to flee Yoshiwara when the time has come for her to take her first customer...

Kiku Nakakawa, the only daughter of an old kimono shop owner in Kyoto, is enthusiastic about karate. To help her friend Michi avenge her brother, she sneaks into a movie studio in Kyoto where a drug dealing syndicate is based.

A conman team swindles through jewel scams, marriage fraud, and fake school admissions. Their schemes bring quick riches but collapse before escape, landing them in prison—while a former mark prospers by stealing their tricks.

Comedy starring the manzai team of Chick and Tack, and set in the world of salarymen.

Set against the backdrop of Nagasaki, a love story blossoms between an unfortunate circus girl and a shipbuilding engineer.

Baseball movie about Eiji Sawamura.