Cursed Hand from the Graveyard

In post-war Japan, a publisher goes to visit her former teacher for help on a modern translation of a legend about a mummified Buddhist monk who was revived and who, centuries later, turned into a sex demon who terrorized a village in pre-modern Japan.

A successful lyricist, Sakumaki (Yukio Ninagawa), lives with his partner Kazue (Keiko Fujita) and their daughter, though he has always kept an emotional distance from them. One night, he returns home to find a mysterious woman in black (Yuko Kusunoki) waiting in his apartment. She calmly tells him that he will die the next night at precisely 12:13 a.m. Shaken, Sakumaki flees, only to discover the same woman appearing wherever he goes. As her presence grows more menacing and unexplainable, his fear spirals into paranoia. Directed by Toshiya Fujita, the episode blends domestic drama with supernatural dread, blurring the line between hallucination and reality. With Ninagawa in a rare starring role, supported by Ichiro Zaitsu and Akira Nagoya, the story pushes its protagonist into a psychological nightmare where fate, guilt, and obsession collide.

A middle-aged office worker, Masao Okada (Eiji Okada), discovers that his worsening illness is terminal cancer. Shaken and resigned, he meets a mysterious man, Suzuki (Haruo Tanaka), who knows every detail of his life. Also a dying patient, Suzuki proposes a “game”: two men with little time left will live in suspense, wondering when and how the other might kill, using paranoia as a way to escape the greater fear of death. Directed by Yasuharu Hasebe and based on a story by Kyotaro Nishimura, this short TV film from "Horror Theater Unbalance" blends psychological dread with social reflection. Alongside Okada’s fragile romance with nurse Akiko (Masumi Harukawa), the story introduces a nihilistic subplot where a reckless young couple (Renji Ishibashi among them) engage in a fatal dare that ends in self-destruction — echoing the era’s sense of emptiness and contrasting Okada’s struggle to find meaning in the face of death.

In a struggling small theater troupe, director Inuo pressures an actor to perform a death role with extreme intensity, resulting in a fatal accident. Despite the tragedy, Inuo attempts to proceed with the scheduled performance. Legendary underground theater performers Jūrō Kara and Mako Midori appear in the episode, exploring themes of theatre performance, obsession, and the boundary between reality and illusion.

Based on the original mystery novel by Seicho Matsumoto. Novelist Ryuji Sugimoto is publishing his serial in a local newspaper when a woman from Tokyo subscribes, saying she’s interested in his work—only to abruptly cancel weeks later. Suspicious, he realizes her true interest may not be the fiction at all, but a real double suicide reported in the same paper.

In a bustling shopping district, a humble tailor accompanies his daughter for an afternoon out — until a trio of thugs begin harassing her in broad daylight. Unable to stay passive amidst the crowd’s indifference, he intervenes with tragic results. Two years later, having served time for excessive self-defense, he remains haunted by both the violence and the apathy of society. A veteran detective, still unsettled by the case, notices the tailor quietly providing money to the same thugs. What drives him? A modern horror tale with social undertones, adapted from Futaro Yamada’s short story “The Black Curtain,” this episode merges psychological unease, moral ambiguity, and a chilling critique of bystander indifference.

A university anatomy surgeon and lecturer, Dr. Mizukami, runs over and kills a corporate worker while driving with his student and lover, Ryoko. Instead of reporting the accident, Mizukami hides the dead body and attempts to carry on with his academic and professional life as if nothing happened.

A salaryman promoted against his will skips his first morning meeting and slips into a spiral of small rebellions—cafés, nightclubs, and a fleeting romance—while rejecting the rigid “medals” of corporate success. Torn between family and freedom, he plots a staged disappearance to reclaim a late-coming youth, in a bittersweet drama underscored by the haunting refrain of “Akita Ondo.”

Japanese horror movie from 1973.

A television series from Tsuburaya Productions which ran from September 1970 to September 1971 on Tokyo Broadcasting System. The series consisting of battle stock footage from Ultraman and Ultraseven, accompanied by a boxing-style commentary. New footage was shot using existing costumes in outdoor locations without elaborate special effect. A total of 195 five-minute episodes were produced.

Another being from Nebula M-78, identical to the original Ultraman, combines with car racer-turned-MAT patrol member Hideki Gô, and fights assorted menaces in a frightening new "Age of Monsters."

Hayata is a member of the Science Patrol, an organization tasked with investigating bizarre anomalies. He is mortally wounded when accidently encountering an alien being from Land of Light, who grants Hayata new life as the two are merged into one. Now, whenever a threat arises that is too great for the Science Patrol to handle, Hayata activates the beta capsule and becomes the hero known as Ultraman.

Jumborg Ace is the title superhero of a tokusatsu SF/kaiju/superhero TV series. Produced by Tsuburaya Productions, the show was broadcast on Mainichi Broadcasting System from January 17 to December 29, 1973, with a total of 50 episodes. This was also one of several shows Tsuburaya did to celebrate the company's 10th Anniversary.

Ultraman Cosmos is a calm and gentle alien of unknown origin who seeks to protect Earth. Unlike most Ultramen, Cosmos is a pacifist and prefers to resolve his disputes or disagreements by the way of peace.

A high-tech squadron protects Earth from evil monsters and aliens with the help of a giant super-being named Ultraman Tiga.

Takeshi Yamato, a twenty-two-year-old young man lives a double life. During the daytime, he is a rookie but popular science teacher at a junior high school in Tokyo. But after school and on Sundays he works as a member of the elite UGM (Utility Government Members).

Yapool, an ancient interdimensional race of beings tries to conquer the Planet Earth with his army of monsters, called Terrible-Monsters. The newest member of the Ultra Brothers, Ultraman Ace, arrives on Earth to aid humanity in the battle against Yapool. Touched by the sacrifices of Seiji Hokuto and Yuko Minami, he revives them and grants them the Ultra Rings, which allows them to transform into Ultraman Ace in times of need.

As supernatural events and monster attacks rock Japan, the military and government look to be overwhelmed. Three intrepid young investigators—two pilots and a reporter—take it upon themselves to study these unexplained phenomena in order to inform and protect the public.

In the not-too-distant future, the Earth finds itself constantly under attack from extraterrestrial threats. The Terrestrial Defense Force establishes the Ultra Garrison, a team of six elite members who utilize high-tech vehicles and weaponry. Joining their fight is the mysterious Dan Moroboshi, secretly an alien from the Land of Light in Nebula M-78, who transforms into his true form in times of crisis, Ultraseven.

Advancements in science and the unchanging human psyche have given rise to new forms of terrifying crimes as the Science Research Institute (SRI) investigates various strange phenomena in Japan.

Once again, Musashi has encounter Ultraman Cosmos. Now Ultraman Cosmos has gained some new modes to defeat Scropis. Musashi has joined Team Sea to save the Blue Area. But there is mysterious evil monster, Sandros, who wants to destroy the Earth. Now it is up Musashi and Ultraman Cosmos to defeat Sandros and who’s the other Ultraman?

An inventor and his family try to raise funds to feed a giant monster named Daigoro so that he doesn't shrink. Meanwhile, a meteor lands into the sea bringing with it another giant monster named Goliath. Will Daigoro be able to stop Goliath?

The organization Mighty Jack is formed to combat the criminal syndicate known as "Q", and are given a large array of advanced weapons, chief among them being a high-tech submarine. Harold Hatari is abducted by Q, and Mighty Jack is dispatched to rescue him. Hatari is interrogated and threatened with blinding lights, but the Mighty Jack crew rescue him in the nick of time. Later, Q is discovered to be using "hot ice" (water that remains solid at room temperature) to create weapons and a secret ocean base disguised as an iceberg (though it's not precisely clear how hot ice could be a major world threat). Q then attempts to take over the Mighty Jack sub.

A salaryman promoted against his will skips his first morning meeting and slips into a spiral of small rebellions—cafés, nightclubs, and a fleeting romance—while rejecting the rigid “medals” of corporate success. Torn between family and freedom, he plots a staged disappearance to reclaim a late-coming youth, in a bittersweet drama underscored by the haunting refrain of “Akita Ondo.”