Bahia de Todos os Santos

Bahia de Todos os Santos

1974 · 50 min · Documentary

Directed by Maurice Capovila

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Bahia de Todos os Santos

O Jogo da Vida

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In the late 1960s, Thomas Farkas imported equipment suitable for direct sound, and released a collection of documentaries called "Brasil Verdade" ("True Brazil"), after the Military Coup d'État took place in Brazil, which happened without any popular resistance or revolution or reaction of the society. The five short films are directly related to this fact and its consequences to the country.
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The plot unfolds across two distinct worlds: Dr. Cristiano Navarro’s hospital and an impoverished neighborhood on the outskirts of São Paulo. While doctors at the hospital fight to save lives using state-of-the-art medical technology, young Emanuel—living in the neighborhood—demonstrates the ability to perform miraculous, extraordinary healings with just the touch of his hands. Dr. Cristiano is married to Linda, a wealthy, refined woman twenty years his junior. They long for a child but have been unable to conceive. Linda consults Dr. Paula, a renowned gynecologist, but the doctor cannot resolve their issue. Linda then decides to seek help from Emanuel, sparking a series of conflicts with her husband. However, things are far from ideal in Emanuel’s neighborhood. He possesses paranormal abilities that sometimes manifest in ways beyond his control. An enigmatic and unpredictable man, Emanuel fears his own powers.
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Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.
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Segment "Prólogo": interviews and scenes with some of the most important filmmakers of the "Boca do Lixo" of São Paulo. Segment "A Badaladíssima dos Trópicos x Os Picaretas do Sexo": shenanigans of a troubled fictional film production. Segment "Amor 69": Actress Maria Vargas is expected to appear nude in a scene, but ultimately refuses to do so.
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In the miserable Northeastern Brazil, a ruthless land Baron wants to throw a poor farming community out of their land.

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