O Último Dia de Lampião

The dreams and problems of three friends: Malagueta, an inveterate gambler; Perus, former factory worker who abandoned the assembly line to earn his living at the billiards; and Bacanaço, trickster who puts on chic airs, always dreaming of performing the ultimate big swindle.

In the late 1960s, Thomas Farkas imported equipment suitable for direct sound, and released a collection of documentaries called "Brasil Verdade" ("True Brazil"), after the Military Coup d'État took place in Brazil, which happened without any popular resistance or revolution or reaction of the society. The five short films are directly related to this fact and its consequences to the country.

The plot unfolds across two distinct worlds: Dr. Cristiano Navarro’s hospital and an impoverished neighborhood on the outskirts of São Paulo. While doctors at the hospital fight to save lives using state-of-the-art medical technology, young Emanuel—living in the neighborhood—demonstrates the ability to perform miraculous, extraordinary healings with just the touch of his hands. Dr. Cristiano is married to Linda, a wealthy, refined woman twenty years his junior. They long for a child but have been unable to conceive. Linda consults Dr. Paula, a renowned gynecologist, but the doctor cannot resolve their issue. Linda then decides to seek help from Emanuel, sparking a series of conflicts with her husband. However, things are far from ideal in Emanuel’s neighborhood. He possesses paranormal abilities that sometimes manifest in ways beyond his control. An enigmatic and unpredictable man, Emanuel fears his own powers.

Viramundo shows the saga of the northeastern migrants that arrive in São Paulo, beginning with a train arriving and ending with a train leaving São Paulo in a cycle repeated every day. Viramundo's aim was to question why the military coup d'état in Brazil happened without any popular resistance or revolution or reaction of the society.

The practices of football in Brazil and the issues surrounding the sport. Press, players as a commodity, the popular passion, the practice on the fields of várzea. The statements of Luiz Carlos de Freitas, a young promise of Palmeiras, and Feola's coach, as well as an interview with Pelé.

A year in the life of a samba school, from the first rehearsals to the parade on the avenue.

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.

Segment "Prólogo": interviews and scenes with some of the most important filmmakers of the "Boca do Lixo" of São Paulo. Segment "A Badaladíssima dos Trópicos x Os Picaretas do Sexo": shenanigans of a troubled fictional film production. Segment "Amor 69": Actress Maria Vargas is expected to appear nude in a scene, but ultimately refuses to do so.

Poor and beautiful girl is hired by a sales promoter to advertise a new brand of soap. The success is immediate, but the need for a new face hinders her way to stardom.

The story of a fakir who works in a decadent circus. He and his colleagues do weirder numbers each day to attract audience, and warrant their survival. The numbers resemble a horror-show and they get marginalized. Through fable and allegory, reality turns stronger and stronger, and more absurd.

In the miserable Northeastern Brazil, a ruthless land Baron wants to throw a poor farming community out of their land.

A psychiatrist experiments on four volunteers with LSD to examine '60s drug culture, soon unleashing an expert in depravity.