Gilberto Gil

Two kids merrily play make-believe inside their house, unaware of the inequality that exists in the world.

Based on the life of a legendary capoeira fighter from Bahia, "Besouro" spins a fantastic tale of a young Brazilian man of African descent in search of his mission.

At the Philharmonie de Paris, Brazilian music legend Gilberto Gil revisits half a century of his career in a gentle, committed, and eclectic concert.

Viramundo shows the saga of the northeastern migrants that arrive in São Paulo, beginning with a train arriving and ending with a train leaving São Paulo in a cycle repeated every day. Viramundo's aim was to question why the military coup d'état in Brazil happened without any popular resistance or revolution or reaction of the society.

Documentary about Marcel Camus' 1959 film Black Orpheus, its cultural and musical roots, and its resonance in Brazil today.

A colorful feature film that mixes exile with the figure of the poet Rimbaud and the feminist revolution. "It's super-intellectual. A fable-musical-philosophical-chanchada", Mautner says. He also affirms that the work focuses a lot on the longing for Brazil, on the will that the exiled had to return to their homeland. The idea came from conversations between the musician and his old father, "always talking about the pre-Socratics", he recalls. Glauber Rocha states that "The Demiurge" is the best film "of" and "about" exile.

Sônia and her homosexual brother are both believed by their mother to be possessed by the devil. She works as a prostitute in the streets of Copacabana and he’s a servant who falls madly in love with his employer.

A documentary on the amazing Brazilian music movement known as Tropicália.

During Rio's Carnival, a street cleaner struggles with the loss of his sister and his work obligations. Amid the celebrations, he finds a lost child and sets out to help him.

A detective is hired by a mysterious woman to find her missing husband, a master of disguises, and important industry executive.

In this highly stylized Brazilian drama a sax player fondly remembers one wonderful night spent with his life's love and decides to find her again. He embarks upon a quest through the wild streets of Rio to find her. Along the way he meets an assortment of odd urban underworld characters.

After being forced into a marriage and enduring a humiliating work routine in the hands of his father-in-law, Zé Araújo becomes the mythical Ojuara, an unconventional hero devoted to debauchery.

Four love stories which portray a wide gamut of emotions and desires against the backdrop of Rio de Janeiro. "Elephant's Stomp" : the story of a highway patrol officer who is infatuated with a mulatto dancer at a local nightclub. "Drao" : a publicity man and a boutique owner who face a crises in their marriage. "You Are Beautiful" : two homeless teenagers seek love amidst their personal misery. "Samba of the Great Passion" : a book maker who is charmed and captivated by the voice of a female singer coming from a building across the street. Characters in search of love in order to escape from the boredom, loneliness and helplessness of their lives.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

At Pedrinho's request, Dona Benta begins to tell the legend of the Minotaur. In the middle of the story, a strange visitor appears on the farm and takes Aunt Natácia to some unknown place. Upon discovering that she was kidnapped by the Minotaur, the whole gang goes on an adventure to try to save Aunt Nastácia. And that's when the fun begins.

A true story that comically depicts the relationship between an ordinary woman and her three husbands, who live in the same house in a poor and arid small village of the Brazilian northeast.

Year 2000. Brazil was partially devastated by the Third World War. An immigrant family arrives in a small town, which they call "I Forgot." The trio is recruited by an indigenist to pretend to be indigenous during the visit of a general. In the dilemma of integrating into the system or preserving individual freedom, the family moves toward disintegration as the city prepares to launch a space rocket.

Quilombo dos Palmares was a real-life democratic society, created in Brazil in the 17th century. This incredibly elaborate (and surprisingly little-known) film traces the origins of Quilombo, which began as a community of freed slaves. The colony becomes a safe harbor for other outcasts of the world, including Indians and Jews. Ganga Zumba (Toni Tornado) becomes president of Quilombo, the first freely elected leader in the Western Hemisphere. Naturally, the ruling Portuguese want to subjugate Zumba and his followers, but the Quilombians are ready for their would-be oppressors. The end of this Brave New World is not pleasant, but the followers of Zumba and his ideals take to the hills, where they honor his memory to this day. Writer/director Carlos Diegues takes every available opportunity to compare the rise and fall of Quilombo with the state of affairs in modern-day Brazil.

University teacher investigates the life of a famous Brazilian musician, trying to discover the secret of mass communication through his songs and performances, while ultimately falling in love with one of his groupies.

Jubiabá is a French-Brazilian film based on the homonymous novel by Jorge Amado. The film tells the story of the interracial love between the daughter of a rich Commander and Antonio Balduíno, a rascal, fighter and famous lover from Salvador.

When a prominent U.S. Nobel Laureate arrives in Salvador, Bahia, the city with the largest black population in Brazil, he stirs emotions by championing a long-forgotten local writer named Pedro Archanjo, who believed that humanity would be improved only through miscegenation.

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

In 1934 two supposed brothers survived an avalanche in the Himalayas: the millionaire Franz Hauser (Bruno Gagliasso), who is saved by Buddhist monks, and Manfred (Carmo Dalla Vecchia), rescued by a team of climbers. Manfred returns to Brazil with a terrible secret: he sabotaged Franz’s equipment in order to take his place in the family business. After an exhaustive search, Ernest Hauser gives his son up for dead and appoints his bastard son as the director of the Hauser Group.

Sassá Mutema is a farm laborer who becomes the target of the city's powerful figures' cruelty. With Clotilde's support, he discovers that it's possible to start a new life alongside a great love.

The routine of the quiet town of Rio Belo changes with the arrival of Carina, a traveling actress determined to discover who her father is. At the same time, a mysterious crime involving the powerful Donana shakes the town.

The disappearance of Áurea Menezes Garcia sparks a fierce dispute over her business dealings. Firmino, her attorney, assumes power, but faces the greed of her children.

In a spin-off centered around men, in each episode, Angélica meets with famous guests to discuss topics rarely discussed by them in public.