Maciste e il nipote d'America

A young girl, pursued by a band of conspirators, hides in a movie theatre where she watches the film Cabiria. She determines to seek the aid of that film's strongman, Maciste. When she locates him, he helps her overcome her enemies, but not without many thrilling and dangerous adventures.

A soldier of near-superhuman strength fights battles in the First World War and wages a private war to rescue a young woman from the castle where she is imprisoned.

Maciste, for the first time, suddenly discovers to be in love. The object of his love is Ada, the daughter of Thompson, an enlightened industrialist persecuted by Bethel, a competitor without scruples. He first makes use of a small group of agitators in order to foment the workers, then he tries to affect his loved ones, kidnapping his daughter. But he hasn’t squared things up with Maciste. In Maciste innamorato private and politic life interlace and condition each other. Maciste, a new popular hero, acts in advance of his time and sees himself as a media idol: after punishing the instigators, the crowd will recognize him as a movie star and promptly forget their claims carrying him shoulder-high. A hero, though, doomed to an unhappy love.

The most explosive and surreal episode of the Maciste series in which we see the hero up against the hardships of the average man: stress, women and cars. The Itala studios are in a disorderly state, the crew watches Maciste in the courtyard as he happily darts around in his new car, a single seater renamed Diattolina in honor of the car maker Diatto, the film’s “sponsor”. Maciste is happy; he caresses the car and talks about his vehicle as if it were his bride. The only thing missing is the honeymoon. But peace and tranquility are not easy to come by: in every corner of the country Maciste is recognized as a generous film star. Waiters, salesmen, passersby and little kids: everyone has a problem for him. Who said something about relaxing? An abandoned castle looks like a peaceful place, but Maciste has not met the wild American girl hiding in the cellar…

Maciste takes advantage again of a break of acting in order to wash away injustice and castigate the wicked, this time in the name of dynastic legitimacy. Otis, the prince of Sirdagna kingdom, lives undercover in a foreign land, waiting to ascend the throne; Stanos the evil ruler though, is willing to do anything in order to prevent the legitimate prince installation. The court is a dangerous place, Otis is young and naïf: in order to solve the situation, Maciste, following the advice of his friend Saetta, temporarily takes Otis’s place, and presents himself as the legitimate prince. The crowd, enamored by his good looks, applauds him immediately as the emperor.

The devil takes Maciste down to hell in an attempt to corrupt and ruin his morality.

Bartolomeo Pagano as Maciste in Maciste in the Lions' Den. A Italian silent from 1926.

The Giant of the Dolomites (Italian: Il gigante delle Dolomiti) is a 1927 Italian silent adventure film directed by Guido Brignone and starring Bartolomeo Pagano, Aldo Marus and Elena Lunda.[1] It was the last in a series of silent films featuring the peplum hero Maciste, but the character was later revived in the 1960s.

Comedy short starring Ernesto Vaser and Eleuterio Rodolfi

Ajax accidentily startles Socrates, the pet parrot of his fiancé Annita, causing him to fly away through an open window. Annita says she will not marry Ajax until he returns Socrates to her. In his international search for the parrot, Ajax accidentally becomes a wanted man everywhere he goes.

Well-respected Pompeiian Glaucus performs an act of kindness by purchasing Nydia, a blind slave being mistreated by her owner. Nydia falls in love with her new master, but he only has eyes for Ione. Ione in turn is lusted after by Arbace, an Egyptian high priest of Isis. When Nydia beseeches Isis for help in capturing Glaucus' heart, Arbace gives her a "love" potion-- an elixir made to drive Glaucus mad, securing Ione for himself. Ultimately, Mount Vesuvius will end their lives and seal their fates in a terrible, glorious eruption.

The short film tells the story of Hamlet, who was forced to flee from the treachery of the usurper of the throne who had killed all the relatives of the young. But he will now return to the castle to avenge his father ...

Sylvia and Janet lose their mother and are left destitute orphans. Jenny Smart (a leading moving picture actress) takes an interest in the girls and brings them to a studio. Sylvia is employed as a moving picture actress and is cast as the lead in a retelling of "Cinderella". A rare glimpse of filmmaking in Turin’s Ambrosio studio.