Maciste Emperor

A young girl, pursued by a band of conspirators, hides in a movie theatre where she watches the film Cabiria. She determines to seek the aid of that film's strongman, Maciste. When she locates him, he helps her overcome her enemies, but not without many thrilling and dangerous adventures.

A soldier of near-superhuman strength fights battles in the First World War and wages a private war to rescue a young woman from the castle where she is imprisoned.

Maciste, for the first time, suddenly discovers to be in love. The object of his love is Ada, the daughter of Thompson, an enlightened industrialist persecuted by Bethel, a competitor without scruples. He first makes use of a small group of agitators in order to foment the workers, then he tries to affect his loved ones, kidnapping his daughter. But he hasn’t squared things up with Maciste. In Maciste innamorato private and politic life interlace and condition each other. Maciste, a new popular hero, acts in advance of his time and sees himself as a media idol: after punishing the instigators, the crowd will recognize him as a movie star and promptly forget their claims carrying him shoulder-high. A hero, though, doomed to an unhappy love.

The most explosive and surreal episode of the Maciste series in which we see the hero up against the hardships of the average man: stress, women and cars. The Itala studios are in a disorderly state, the crew watches Maciste in the courtyard as he happily darts around in his new car, a single seater renamed Diattolina in honor of the car maker Diatto, the film’s “sponsor”. Maciste is happy; he caresses the car and talks about his vehicle as if it were his bride. The only thing missing is the honeymoon. But peace and tranquility are not easy to come by: in every corner of the country Maciste is recognized as a generous film star. Waiters, salesmen, passersby and little kids: everyone has a problem for him. Who said something about relaxing? An abandoned castle looks like a peaceful place, but Maciste has not met the wild American girl hiding in the cellar…

The devil takes Maciste down to hell in an attempt to corrupt and ruin his morality.

Bartolomeo Pagano as Maciste in Maciste in the Lions' Den. A Italian silent from 1926.

The Giant of the Dolomites (Italian: Il gigante delle Dolomiti) is a 1927 Italian silent adventure film directed by Guido Brignone and starring Bartolomeo Pagano, Aldo Marus and Elena Lunda.[1] It was the last in a series of silent films featuring the peplum hero Maciste, but the character was later revived in the 1960s.

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He is a brave and gallant young lieutenant of the Italian army at a time when his country is on the eve of war with Turkey. He becomes infatuated with a country girl of intense love nature and splendid womanhood, one lacking knowledge of the world and experience in life. When her feeble insight into character and motive is pitted against his superior intelligence and that long practice in the craft of heartbreaking that enables a handsome gentleman in uniform to practice a form of enchantment with such women, the result is easily foreseen.

Matilde Sarni lives in her villa near Rome. She has a son who has just married Donata and who is coming home after a series of recitals in the States. Mario, her son, is a famous opera singer and he is twenty years older than his wife. Besides Donata doesn't like country life. So when Mario leaves for a tour of recitals and Donata meets Giulio...

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A biopic of soprano Maria Malibran (1808–1836). A beautiful singer, Maria Malibran, is forced to turn to the stage after her husband takes to gambling, and goes to Paris where she falls in love with a famous violinist. When her money-seeking husband reappears, the couple go to London, where they find happiness. A composer falls in love with Maria but when his affections are unrequited, he becomes broken, takes to drinking and dies.