La trilogia di Maciste

A young girl, pursued by a band of conspirators, hides in a movie theatre where she watches the film Cabiria. She determines to seek the aid of that film's strongman, Maciste. When she locates him, he helps her overcome her enemies, but not without many thrilling and dangerous adventures.

A soldier of near-superhuman strength fights battles in the First World War and wages a private war to rescue a young woman from the castle where she is imprisoned.

Maciste, for the first time, suddenly discovers to be in love. The object of his love is Ada, the daughter of Thompson, an enlightened industrialist persecuted by Bethel, a competitor without scruples. He first makes use of a small group of agitators in order to foment the workers, then he tries to affect his loved ones, kidnapping his daughter. But he hasn’t squared things up with Maciste. In Maciste innamorato private and politic life interlace and condition each other. Maciste, a new popular hero, acts in advance of his time and sees himself as a media idol: after punishing the instigators, the crowd will recognize him as a movie star and promptly forget their claims carrying him shoulder-high. A hero, though, doomed to an unhappy love.

The most explosive and surreal episode of the Maciste series in which we see the hero up against the hardships of the average man: stress, women and cars. The Itala studios are in a disorderly state, the crew watches Maciste in the courtyard as he happily darts around in his new car, a single seater renamed Diattolina in honor of the car maker Diatto, the film’s “sponsor”. Maciste is happy; he caresses the car and talks about his vehicle as if it were his bride. The only thing missing is the honeymoon. But peace and tranquility are not easy to come by: in every corner of the country Maciste is recognized as a generous film star. Waiters, salesmen, passersby and little kids: everyone has a problem for him. Who said something about relaxing? An abandoned castle looks like a peaceful place, but Maciste has not met the wild American girl hiding in the cellar…

Maciste takes advantage again of a break of acting in order to wash away injustice and castigate the wicked, this time in the name of dynastic legitimacy. Otis, the prince of Sirdagna kingdom, lives undercover in a foreign land, waiting to ascend the throne; Stanos the evil ruler though, is willing to do anything in order to prevent the legitimate prince installation. The court is a dangerous place, Otis is young and naïf: in order to solve the situation, Maciste, following the advice of his friend Saetta, temporarily takes Otis’s place, and presents himself as the legitimate prince. The crowd, enamored by his good looks, applauds him immediately as the emperor.

The devil takes Maciste down to hell in an attempt to corrupt and ruin his morality.

Bartolomeo Pagano as Maciste in Maciste in the Lions' Den. A Italian silent from 1926.

The Giant of the Dolomites (Italian: Il gigante delle Dolomiti) is a 1927 Italian silent adventure film directed by Guido Brignone and starring Bartolomeo Pagano, Aldo Marus and Elena Lunda.[1] It was the last in a series of silent films featuring the peplum hero Maciste, but the character was later revived in the 1960s.

A comedy set behind the scenes at Cinecittà studios in Rome during the war, focusing on a famous, demanding tenor and his love interest.

Two women, Tina, who is a pizza chef, and Lisa, who runs a shop, can't stand each other, but they have a nephew and a daughter respectively, who love each other.

Young Italian journalist Stefano Andriani travels to Albania, where he falls in love with Eliana, a local girl, and she with him. One day, Andriani comes across the tribal chief Hasslan Haidar, an opponent of King Zog's regime, wounded by the royal guards. He saves him, taking him to his village, and makes a "blood pact" with him, which makes them brothers. Later, the journalist accidentally discovers that the tribal chief is Eliana's brother, and he must therefore give up his plans for marriage. In addition, the chief of police in Tirana tries to exploit the situation to turn Hasslan against Andriani. The arrival of Italian troops, who conquer Albania, resolves everything and allows the misunderstanding to be cleared up.

A family of wanderers adopts a girl who is left alone after getting lost. Meanwhile, his father adopts an orphan. Some time later, as an adult, the girl becomes the main attraction of the Luna Park where the wanderers work, and falls in love with the adopted son of the missing father. This arouses envy and spite from a barker from the Luna Park, secretly in love with the girl, who begins to spread slander on their behalf.

A famous singer abandons his wife and goes to live abroad with a woman he met in a nightclub. A car accident upsets his life - he loses his job and his new love but he regains his sons and peace of mind.

Marco Fuser, an outlaw. returns to Venice after many years. His son who works in the studio of a celebrated painter is unaware of his father's history. Arrested by the Doge's men, Marco agrees to become a bravo in the service of the city's ruler and kill his enemies. He enjoys some success at this, until he finds he has been tasked with killing his son.

Christina of Sweden, in exile in Rome, takes a handsome Italian officer as her lover. But he is in love with the very young wife of an elderly count. After many adventures, duels, settling of old scores, the officer and the countess get married. Former Queen Christina finds herself another captain of the guard.

La tempesta in un cranio (Tempest in a Cranium) is an anarchic, quasi-surreal Italian comedy of multiple delights in which the timorous scion of a wealthy family is gaslit by his friends in order to prove that his fears of hereditary insanity are hogwash.

Two chorus girls leave Milan to get to the famous Totò's theatre company. Unfortunately the bus they are on breaks down and they ask for a lift, but the driver gets too fresh with them and they decide to continue the journey with any means of transport, including bicycles.

Baron Oddo de Serra who is cruel to his subjects, is neighbor of the Count Gualtiero of Roccalta. The servants of the baron cross the lands of Count to escape his abuses. Baron hatches a plot to assassinate the earl.