Oreste Bilancia

Monna Violante, wed by her father to the rich merchant Floridoro, falls in love with Spallatonda, the buffoon of count Giano, one her suitors.

Travelling family man Paolo agrees to pose as husband to an unwed pregnant girl he meets on a train. However, once faced with her father, things do not go as planned.

In his first feature, great Italian clown Totò plays a carefree tramp moving from job to job, in order to provide for himself and his young Shirley Temple-like protégée.

Mastr'Antonio Miciaccio caretaker and shoemaker is devoted to Saint John Beheaded and is trying to find out who has been stealing the oil that keeps the candle to the saint burning. He also does not approve of his daughter's boy friend and he does not want him to marry her.

The model Fede loves the writer Arte, but he is enmeshed by the beautiful Femmina. Fede takes comfort in the Faun, a mythological creature who becomes animated from the stone sculpted by Arte. The love story with the Faun represents a return to a dreamt wildness impossible by now, for the modern man, to reach and maintain.

Sports comedy film inspired by a 5–0 victory by A.S. Roma against their rivals Juventus in 1931.

The well off daughter of a tenor breaks up a romance with a helpful youth from a misunderstanding. But she continues to cover him with his gambling debts despite her delicate health.

The film is an adaptation of the 1834 play by Alfred de Musset, On ne badine pas avec l'amour. The film is considered to be a lost film.

There’s a war on, yet the last days of October pass by “sunny and tranquil” as warm rays light up an expansive ocean. The grand liners Titan and Oceania cross the Atlantic to Europe. Yet under the seemingly placid surface of the water looms the threat of submarines, “vipers of the sea”. The Oceania is torpedoed and quickly sinks. After the dramatic intensity of the opening, however, Il siluramento dell’Oceania seems to swiftly abandon the echoes of the Lusitania and its burden of tragedy, channeling itself into the more frivolous tides of the typical adventure drama fashionable at that time, unafraid of either improbable coincidences or clichéd characters. Cecil Tryan plays the heroine, a beautiful heiress unjustly banished with her mother from her ancestral castle. She weeps at the thought of no longer being able to order seven dresses in one go from her tailor, and ultimately falls in love with the courageous captain, also a survivor, who saves her life and fortune.

This is a 1920s Italian military comedy directed by Eugenio Perego, starring Bartolomeo Pagano and set amid drills and humorous misunderstandings. The film plays on the trope of the naive hero in a farcical and patriotic setting.

Silent version of a story later remade in French and German as Baby: A count's daughter wants a stage career, her show girl friend wants an education, so they change places.

When a young woman becomes aware of her husband's wandering attentions, she plots his comeuppance.

Monsieur Jourdain is a dangerous madman : he wants to share his fortune! His relatives do what any sensible fellow on earth would do: they have him committed to a mental hospital. But Jourdain manages to escape and decides to make everybody happy except... his heirs!