Paralelo 10

He loves soccer. She hates it. Perfect ingredients for a love affair.

Documentary about the traffic of human blood in the Third World.

Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?

Documentary featuring contemporary interviews with 5 of the revolutionary activists who kidnapped US ambassador Charles Embrick in August 1969 in Rio de Janeiro and some of the political prisoners who were freed from prison in exchange of the ambassador's liberty and flown out of Brazil to Mexico in an army cargo airplane "Hércules 56".

Luiza is an architect who just got out of a ruinous relationship. Gabriel is a biologist and he has finished a long marriage with divorce. When they both meet, chances that they can do well together are not that big. But they will try to, even if their friends Barata (a convict bachelor totally skeptical when it comes to love) and Marta (a mathematic analyst who wishes that human relations were just as exact as numbers are) think otherwise.

Doctor Rafidjian turns to Dora Lobo's investigation agency to locate prostitute Ana Cintia. The case is in charge of Bellini and Beatriz, his new assistant. But the doctor is brutally murdered and the detectives infiltrate the night underworld of São Paulo in search of an answer, where they meet Fatima, a mysterious prostitute who gets involved with Bellini.

A retired cop becomes the prime suspect in the murder of a prostitute.

Leonardo, an upper-middle class boy from the south of Rio de Janeiro, befriends Kiko, a boy who lives on the street and who juggles balls at a traffic light. The rich kid decides to lend Kiko his handheld video game – but it is stolen by hill boys. This is just the beginning of a great friendship between the two. They begin a great adventure that takes Leonardo to the favela, where he knows a reality entirely different from his own.

Forty-year-old Cláudio is always looking for a romantic relationship. His routine changes when he has to take care of his 12-year-old daughter: women no longer look at him and the conquest tactics have no effect.

An attractive, 30-year-old successful graphic designer with a captivating personality hasn't had a good date in over a year, and she's not alone - her best friends share the same problem. They all dream about finding their prince charming and all too often settle for the frog. At the agency, instead of Mr. Right, Laura meets Miguel, a blue-collar, and Tiago, an irresistible, compulsive womanizer.

In the 1980s, a journalist sets out to find the whereabouts of a famous singer/actress who disappeared decades earlier. During his search, he goes across several states in what ultimately becomes not only a search for a missing person but a journey of self-discovery.

In Rio de Janeiro, at the end of the millennium, a group of mostly middle-aged friends share their lives and experiences with each other.

What makes a free woman choose a prisoner to develop a loving relationship? “The Visit” is a film about love in this special condition. Among the characters, some met their partners in the penitentiary; others had been visiting their husbands for decades. They feel valued by them and say they are well loved. They are women who insist on a relationship full of constraints and privations, even suffering various consequences of this option on a daily basis. In this film the prison universe is almost exclusively present in the report of the women, and never from the point of view of the husbands.

Two Lawalapiti young men from Alto Xingu learn to build a canoe from the bark of the jatobá tree, a quick and simple technique that leaves the tree still rooted and alive, and that has ceased to be used and is only known by the oldest Lawalapiti men.