Sílvio Da-Rin

He loves soccer. She hates it. Perfect ingredients for a love affair.

Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?

A documentary on the influence that carnival has on the daily life of the Mangueira hill in Rio de Janeiro. It follows the manufacture of the carnivals of 1981 and 1982, interviewing several residents who tell the story of more than half a century of the favela's existence and emphasizing its community importance and cultural, to the sound of the most beautiful sambas composed on Mangueira.

What makes a free woman choose a prisoner to develop a loving relationship? “The Visit” is a film about love in this special condition. Among the characters, some met their partners in the penitentiary; others had been visiting their husbands for decades. They feel valued by them and say they are well loved. They are women who insist on a relationship full of constraints and privations, even suffering various consequences of this option on a daily basis. In this film the prison universe is almost exclusively present in the report of the women, and never from the point of view of the husbands.

Mission 115 was the name given by DOI-CODI (an army repression body during the military dictatorship) to a supposed "vigilance" operation in Rio de Janeiro during a musical show at Riocentro on May 1, 1981. In fact, was a bomb attack, the final frustrated, aimed at sabotaging the country's re-democratization. For the first time one of the members of that team of terrorists, former police officer Claudio Guerra, tells in detail how the operation was planned and executed. The recent work of the National Truth Commission also sheds new light on the episode and its successive attempts at scrutiny over more than three decades.

Two Lawalapiti young men from Alto Xingu learn to build a canoe from the bark of the jatobá tree, a quick and simple technique that leaves the tree still rooted and alive, and that has ceased to be used and is only known by the oldest Lawalapiti men.

In Rio de Janeiro, at the end of the millennium, a group of mostly middle-aged friends share their lives and experiences with each other.