Meeting on the Elbe

A documentary on the life of the famous actress, deceased wife of the director Grigoriy Aleksandrov.

The bank is preparing to solemnly celebrate the 15th anniversary of the institution. And at that moment, two events took place that turned everything upside down.

In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin revolt against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.

Just before the 1905 Bolshevik Revolution, factory workers strike against their oppressive factory bosses. When a worker is accused of stealing a piece of machinery, he commits suicide, and his colleagues revolt against the overarching Czarist regime. As the strike drags on and government officials grow increasingly desperate to end it, their methods of dealing with the rebellious workers become more and more aggressive.

As the Russian monarchy crumbles, conflicts at Petrograd intensify, with Soviet hero V.I. Lenin leading the rebellion that overthrows the tsar's Winter Palace.

Having revolutionized film editing through such masterworks of montage as Potemkin and Strike, Soviet director Sergei Eisenstein emigrated West in hopes of testing the capabilities of the American film industry. Quickly ostracized from Hollywood, Eisenstein, Grigory Alexandrov, and photographer Eduard Tisse (at the urging of author Upton Sinclair) wandered south of the border, where they began filming a highly stylized documentary about the people and volatile social climate of Mexico. Unfortunately, a lack of funds prohibited the film's completion, and the famed director was unable to edit the film. In 1979, by referring to Eisenstein's extensive notes and sketches, Alexandrov assembled the most definitive version of the film; as close to Eisenstein's vision as one is ever likely to see.

November 1941. One by one, the men leave, leaving only old men, women and children in the village of Bykovka. Ivan Vybornov, the chairman of the collective farm, is also raring to go to the front, but, obeying party discipline, remains in the village and continues to skillfully and energetically lead the collective farm, mobilizing fellow villagers to send bread for the front and starving cities.

Merry Fellows was the first Soviet musical comedy. Set in Odessa and Moscow in the 1930s. Shepherd Kostya Potekhin is mistaken for an international concert star. He falls in love with Anyuta and plays the "star" for her. In a cascade of comic musical numbers he becomes the leader of a Jazz-Band and gives a hilarious show at the Odessa Music Hall. Now he is destined to perform at the Bolshoi Theatre in Moscow.

An American circus performer finds herself the victim of racism after it is revealed that she's the mother of a mixed-race child. In the midst of the public scandal, she finds happiness, love, and refuge in the USSR.

A drab woman scientist, working on machine to harness solar energy, and a pert concert singer look-alike being courted to play her in a movie swap identities and find personal growth, professional success, love, and happiness.

The story takes place in Summer 1942, when a small force of Black Sea Fleet sailors was surrounded by German troops but broke out the encirclement.

Footage of the aftermath of the January 14 1931 earthquake in Oaxaca, Mexico.

This literary adaptation was the first Soviet feature length dramatization, as opposed to documentary film, on the momentous Battle of Stalingrad.

Soviet intelligence spouses — Lyudmila ("Lyre") and Fyodor ("Starling") Grekov at the beginning of the Great Patriotic War are tasked with settling in Germany. Personnel intelligence officers with vast experience are successfully introduced into German society and begin to work actively. At the end of the war, during the bombing of Berlin, fate separates them, but then they will meet in the new Germany and continue their work.

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

A funny comedy about a lost twins and a lot of good people who are involved in a search for twins' parents.