Grigori Aleksandrov

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.

The film is about the Soviet People's patriotism and friendship.

A documentary on the life of the famous actress, deceased wife of the director Grigoriy Aleksandrov.

In September 1941, lieutenant Ilya Streltsov, who graduated from the flight school, was assigned to the fighter aviation regiment guarding the sky of Moscow. He meets in part the nurse Zoya, with whom he grew up in the same yard and with whom he has long been in love. During the first training flight on the "Seagull", lieutenant Streltsov shot down a German plane and received the nickname "Lucky." Streltsov is jealous of the squadron commander to nurse Zoya, believes that he is finding fault with him. For a whole month he is not allowed to fly sorties. In October 1941, lieutenant Streltsov made his first sortie, he shot down one plane and rams the second. For this battle, he is awarded the title Hero of the Soviet Union.

A funny comedy about a lost twins and a lot of good people who are involved in a search for twins' parents.

This film shows contrasting views of women with problematic pregnancies and the outcomes resulting when they seek out a back-alley abortionist, a trained and licensed abortion provider in a clinic, or an obstetrician capable of performing a Caesarian Section. The full film appears to be lost, but shortened versions, including one with dialogue scenes added in Germany in 1935, can be found on the internet. Additionally, Eisenstein's role in making the picture remains unclear: did he direct some or all of it, just edit it, or merely leave it to Alexandrov and Tisse to make? Released in the USA 1930 in a 65 minute (5800 ft.) version with English intertitles and a music track under the title BIRTH.

Workers in a factory in pre-revolutionary Russia go on strike and are met by violent suppression.

Merry Fellows was the first Soviet musical comedy. Set in Odessa and Moscow in the 1930s. Shepherd Kostya Potekhin is mistaken for an international concert star. He falls in love with Anyuta and plays the "star" for her. In a cascade of comic musical numbers he becomes the leader of a Jazz-Band and gives a hilarious show at the Odessa Music Hall. Now he is destined to perform at the Bolshoi Theatre in Moscow.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

The young composer Mikhail Glinka performs his new work at a soiree at earl Vielgorsky's house. However, the public is accustomed to Western music, and reacts coldly to the creation of the composer. This makes him very sad, but soon he decides to go learn the art of music in Italy. After returning from Italy, he is full of desire to write national Russian opera. Vasily Zhukovsky proposes a subject: a feat of Ivan Susanin. Tsar Nicholas I change the name of the opera to A Life for the Tsar and assigns a librettist - Baron Rosen. Acquaintance with the future co-author shocked Glinka: Rosen speaks Russian with a noticeable German accent. The premiere was successful, but Glinka was still not entirely happy with the libretto: "False words were written by Rosen". When Nicholas I learned that Ruslan and Lyudmila was written on Pushkin's subject, he sees it as sedition. The bitter experience of the composer brighten his supporters.

This literary adaptation was the first Soviet feature length dramatization, as opposed to documentary film, on the momentous Battle of Stalingrad.

An American circus performer finds herself the victim of racism after it is revealed that she's the mother of a mixed-race child. In the midst of the public scandal, she finds happiness, love, and refuge in the USSR.

Designed as a successor to "They Met In Moscow", with the same director, star and composer, "Six P. M." (1946 American release title) has two artillery officers meeting an attractive girl in Moscow between battles. One falls in love with her and they vow to meet in Moscow on a bridge at Six P.M. when the war ends. The war puts them on diverse trails, but the pledge is fulfilled against a setting of Moscow's famous fireworks displays.

A remake of the Grigoriy Aleksandrov's "Volga-Volga", a postmodernist deconstruction of the legendary Soviet movie. Vladislav Mamyshev-Monroe's head was "glued" to Lyubov Orlova's body, and now Monroe is re-acting the movie, making what was a musical about amateur artists into a tragedy – postwoman wants too much and, eventually, loses her mind. Sometime in the movie, the movie shifts to Antarctica from the Volga, where Monroe-Orlova is looking at the fascinating life of penguins.

An epic presentation of the turbulent days leading to the Russian Revolution. Based on the classic work by John Reed, this important documentary makes use of rare footage and little-known information, stirringly narrated by Orson Welles.

A test film for black-and-white television, made by Mosfilm in 1967. A girl dreaming to be in movies got a call from Mosfilm, asking her to be filmed. She enters the dreamy bubble that is called filmmaking. The film was commissioned by the Research Film and Photo Institute. It features famous actors and directors, including Georgy Vitsin, Georgy Georgiu, Pavel Vinnik, Grigory Alexandrov and others. Some of them play themselves.

A drab woman scientist, working on machine to harness solar energy, and a pert concert singer look-alike being courted to play her in a movie swap identities and find personal growth, professional success, love, and happiness.

The story takes place in Summer 1942, when a small force of Black Sea Fleet sailors was surrounded by German troops but broke out the encirclement.

Having revolutionized film editing through such masterworks of montage as Potemkin and Strike, Soviet director Sergei Eisenstein emigrated West in hopes of testing the capabilities of the American film industry. Quickly ostracized from Hollywood, Eisenstein, Grigory Alexandrov, and photographer Eduard Tisse (at the urging of author Upton Sinclair) wandered south of the border, where they began filming a highly stylized documentary about the people and volatile social climate of Mexico. Unfortunately, a lack of funds prohibited the film's completion, and the famed director was unable to edit the film. In 1979, by referring to Eisenstein's extensive notes and sketches, Alexandrov assembled the most definitive version of the film; as close to Eisenstein's vision as one is ever likely to see.

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

March 9th, 1953. A gray, sad day. Clouds float low over the Kremlin towers. A city that unrecognizably grew, prettier and matured - this Moscow froze in solemn grief. The country escorts its father and leader, Joseph Stalin.

Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film.

The main film character, an ordinary peasant Martyn Borylya, decided to get a noble order. Having chosen a little and primitive aim, in the chase of the artificial values, he loses everything.