God Walks Backwards

The movie addresses the anti-fascist theme taken from a moral perspective. The movie tells the story of a group of teenagers who were drafted to the front in the last weeks of World War II and found refuge on a small island.

Socialist industry manufactures only those products absolutely required by workers, citizens purchase only those items essential for their everyday lives – claims the film, thereby differentiating the operational principles of domestic industry and trade from those of capitalist countries.

The second film in Miklós Jancsó's documentary series Message of Stones.

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

After the failure of the Kossuth's revolution of 1848, people suspected of supporting the revolution are sent to prison camps. Years later, partisans led by outlaw Sándor Rózsa still run rampant. Although the authorities do not know the identities of the partisans, they round up suspects and try to root them out by any means necessary.

Set during a turbulent era of disquiet, fear, persecution and terror, which permeates every corner of post-WWI Hungarian society. In 1919, after just a few months of communist rule the Hungarian Republic of Councils falls victim to a nationalist counter-revolution. Admiral Horthy, leader of the nationalist far right movement, becomes the self-proclaimed regent of Hungary, and assumes power as the legal Head of State. Soldiers of the short-lived Hungarian Red Army are now on the run from relentless secret policemen and patrol units of the nationalist Royal Gendarme. If caught, ex-Red Army soldiers are executed without mercy or proper trial. István Cserzi, a former soldier of the Red Army has fled to the Great Hungarian Plains and has taken refuge on a farm, which is run by two sympathetic women.

In 1919, Hungarian Communists aid the Bolsheviks' defeat of Czarists, the Whites. Near the Volga, a monastery and a field hospital are held by one side and then the other.

Two old men enter an abandoned synagogue, look at the decay around them, and pray.

A man, a woman, an afternoon, a city, and an unspoken, hopeful desire to find love by way of the personal ads. A milestone of Hungarian cinema, Elek uses documentary techniques in a fiction context to make the frailty of everyday life as palpable as possible.

In this costume epic, the last days of Julius Caesar are chronicled.

Set in the 1890s on the Hungarian plains, a group of farm workers go on strike in which they face harsh reprisals and the reality of revolt, oppression, morality and violence.

The movie portrays a peasant revolt in Hungary in the early twentieth century.

It has been fifteen years since the death of her father, Agamemnon, and Elektra still burns with hatred for Aegisztosz, who conspired with Elektra's mother to kill him.

By the notes of Fiáth Pompeiusz, the one-time friend of Kapa and Pepe, Professor Szirtes has solved the secret of the time machine, and he realizes the invention relying on "special" H2O. Kapa and Pepe shall return by it into the past in order to set time right, which is out of joint, that is, to correct history, to save King Louis II, and prevent the Mohács Disaster. Pepe yields to the not too tender persuasion to enter upon the great journey through time, dies and revives, and they arrive at the battlefield of Mohács in time. Kapa films the events. The Turks win and cut off the king’s, Pepe’s, head, still the Hungarians dictate the peace treaty. Kapa and Pepe want to return, they fill the time machine up with water from the well, yet it won’t start. Even so Kapa and Pepe hover over Budapest and quarrel.

The narrative concerns the barbaric exploits of Attila The Hun and yet none of the characters ever leave the remote seaside stretch of land on which the film is set or do much of anything – with the ensuing moralizing interrupted only by the occasional (and equally obscure) music-infused rites.