István Avar

Ede (Dezso Garas) is in his sixties, and he is full of uncertainty about how he and his wife Kati (Mari Torocsik) will fare in the new post-communist regime in Hungary. At least before, he had some idea what he needed to do to get by, and even if he never made much money with his myriad schemes, they got by. Kati has got a real bug in her ear about their livelihood, and is hounding him to get into the spirit of the new system. This is troubling enough for the old gent, but when he runs into an old mistress (Kati Lazar) and discovers that he has a grown son he has never met or knew about, his life becomes even more confusing. His slimy ex big-shot brother-in-law (Istvan Avar) is a major player in the new entrepeneurial risk-taking, and he beseiges poor Ede with advice as well. In this topical comedy, all these worrisome things, and more, come to a head at a big family celebrtion.

A past world is revived in the little cottage in the outskirts, next to the housing blocks under construction. Tamburás, the old hobo collects swerved youth: Diák, who desires freedom, the bus driver who is deprived of his license for having run over someone, and the rest. They have got an easy and unbound life there, with constant music, small thefts, occasional labour, tricks.

During the worldwide Depression of the 1930s, a young shopgirl is in love with a man of her own financial class, but succumbs to the seductive machinations of her wealthy boss.

Éva and Árpi are married, but have no home on their own. On Thursdays, they meet in Árpi's long vehicle. Renting a room from a head tenant would be too expensive. The ad of an old lady found in a newspaper, in which she offers a room free of charge to the person who finds her lost parrot, comes in handy.

After the failure of the Kossuth's revolution of 1848, people suspected of supporting the revolution are sent to prison camps. Years later, partisans led by outlaw Sándor Rózsa still run rampant. Although the authorities do not know the identities of the partisans, they round up suspects and try to root them out by any means necessary.

The dramatically dense film takes place in workers' surrounding in the sixties. It raises the newspaper article serving as the basis for the short story to be a model: in a plastic factory fire breaks out causing enormous damages.

Mocorgó, the well-meaning worker boy, is a tough guy. In his 40s he is still a mechanic's apprentice, but he is disappointed by his family, women and friends, and becomes a criminal. He goes to prison several times and tells the story of his life to the writer, who follows his story until 1956, until Mocorgó's death.

A day in the solitary life of Pista, a single child of divorced parents. The boy skips school and explores the city of Budapest by himself, yet can't escape an unbearable ennui. Like Mészáros's ADOPTION, this early short film explores the themes of broken family bonds; it also offers insight into the origins of the director’s career.