Henze: The Young Lord (Deutsche Oper Berlin)

A production of Strauss' opera 'Der Rosenkavalier' performed at the Saltzburg Festival in 1984. Includes the Vienna State Opera Choir, the Philharmonic Orchestra with singers Wilma Lipp, Anna Tomowa-Sintow and Agnes Baltsa. Conducted by Herbert Von Karaja

A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.

This installment in the "Karajan Legacy" series captures the acclaimed conductor leading the Vienna Philharmonic Orchestra with the Vienna State Opera Chorus and the Sofia National Opera in a masterful performance of Verdi's "Requiem." Filmed in 1984, the concert features an array of renowned soloists, including tenor José Carreras, soprano Anna Tomowa-Sintow, bass-baritone José van Dam, bass Kurt Moll and mezzo-soprano Agnes Baltsa.

Count Almaviva is in love with Rosina. However, she is currently staying with Dr. Bartolo – who desires to marry her. By using a series of disguises, Almaviva manages to pass letters to Rosina and serenade her with his beautiful voice. Dr. Bartolo does his best to stop Almaviva but is constantly thwarted. In the end, Count Almaviva marries Rosina and Dr. Bartolo comes to terms with his defeat.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

An Interpol agent fighting smugglers in Istanbul.

A mature, rich and bored woman called Elisabeth is taking a ride with the “Rheingold”, a first-class high-speed train of the seventies along the river Rhine. In the train she is meeting her old school mate and lover who is working as a waiter and falls in love with him again. Her husband, a busy politician, realizes what’s going on and tries to catch the train to face his wife and her lover in a fatal showdown.

A young man is chosen by a magazine company to be a modeled into a public heart-throb while being dogged by a persistant reporter out to expose the fraud the company is putting out.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

Documentary based on the book by Erich von Däniken concerning the ancient mysteries of the world, such as the pyramids of Egypt and Mexico, ancient cave drawings, the monuments of Easter Island, etc., and the fact that these things and modern civilisation could have been influenced by extraterrestrial visitations hundreds (or perhaps thousands) of years ago.

Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey's Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she's supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.

Pitt and Felix, two friends from school, meet again by chance in hospital years later. Both are looking forward to fatherhood. In order to shorten the grueling wait until the baby is born, they exchange lively memories of their school days. Some embarrassments are also brought up.

Captain Ebbs is an older, experienced seaman who has, however, only sailed on freighters. While his current old barge, the Martin Luther, has to go into the shipyard for an overhaul, the shipping company gives him command of the elegant cruise ship Julia to temporarily replace a colleague who has fallen ill. The rough Ebbs finds his way into his new job only with difficulty and initially puts his foot in his social mouth.

Detective C.G. begins to investigate the death of an attractive woman whose naked body was found in Beverly Hills. When he recovers her journal, he is taken into her past where he finds that she lead a sexually promiscuous life. Perhaps in the pages of the diary will be a clue to her killer's identity.

After completing his voyages Sindbad the Sailor and his hearty crew have come home to find a palace coup d'etat has occurred and his home city is being run by a brutal dictator played by Pedro Armendariz. He's got designs on the beautiful young princess, Heidi Bruhl both lustful and political.

Film adaptation of Werner Keller's bestselling non-fiction book, which attempts to show in a "less spectacular way than the original" that archaeological finds and findings do not contradict biblical statements.