Henze: The Young Lord (Deutsche Oper Berlin)

A production of Strauss' opera 'Der Rosenkavalier' performed at the Saltzburg Festival in 1984. Includes the Vienna State Opera Choir, the Philharmonic Orchestra with singers Wilma Lipp, Anna Tomowa-Sintow and Agnes Baltsa. Conducted by Herbert Von Karaja

A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.

This installment in the "Karajan Legacy" series captures the acclaimed conductor leading the Vienna Philharmonic Orchestra with the Vienna State Opera Chorus and the Sofia National Opera in a masterful performance of Verdi's "Requiem." Filmed in 1984, the concert features an array of renowned soloists, including tenor José Carreras, soprano Anna Tomowa-Sintow, bass-baritone José van Dam, bass Kurt Moll and mezzo-soprano Agnes Baltsa.

Herbert von Karajan directed this film of Verdi’s Shakespearan masterpiece as well as conducting the Berlin Philharmonic. As the tragic Moor of Venice, arguably his greatest role, John Vickers (in the words of critic David Cairns) "commands both the notes and the moral grandeur of the part. … And he has the aura of greatness – greatness of heart, of bearing, of musical and dramatic conception". Mirella Freni is a heartbreakingly lovely and fragile Desdemona, while the fine English baritone Peter Glossop plays the villainous Jago.

Count Almaviva is in love with Rosina. However, she is currently staying with Dr. Bartolo – who desires to marry her. By using a series of disguises, Almaviva manages to pass letters to Rosina and serenade her with his beautiful voice. Dr. Bartolo does his best to stop Almaviva but is constantly thwarted. In the end, Count Almaviva marries Rosina and Dr. Bartolo comes to terms with his defeat.

This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José. On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”. A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

A mature, rich and bored woman called Elisabeth is taking a ride with the “Rheingold”, a first-class high-speed train of the seventies along the river Rhine. In the train she is meeting her old school mate and lover who is working as a waiter and falls in love with him again. Her husband, a busy politician, realizes what’s going on and tries to catch the train to face his wife and her lover in a fatal showdown.

An Interpol agent fighting smugglers in Istanbul.

A young man is chosen by a magazine company to be a modeled into a public heart-throb while being dogged by a persistant reporter out to expose the fraud the company is putting out.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

An international gang of gun dealers in the USA has stolen the prototype of a laser rifle from a German laboratory. The FBI agent Cormoran is being sent to recover the state-of-the-art and highly effective weapon. But there are some indications that he has defected to the enemy. Since agent 007 is currently on another mission, the chief of intelligence has to fall back on his second best man, the previous number 006. And so the German secret agent John Krim is given the assignment to get the rifle back, find evidence of Cormoran’s treachery and finally eliminate the colleague. Krim’s journey takes him across the ocean, and there he experiences incredible adventures in San Francisco, Los Angeles and Las Vegas. Two women get in his way, and Krim can’t be sure whether he can trust them or whether they too are working for the other side.

Documentary based on the book by Erich von Däniken concerning the ancient mysteries of the world, such as the pyramids of Egypt and Mexico, ancient cave drawings, the monuments of Easter Island, etc., and the fact that these things and modern civilisation could have been influenced by extraterrestrial visitations hundreds (or perhaps thousands) of years ago.

Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey's Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she's supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.

Captain Ebbs is an older, experienced seaman who has, however, only sailed on freighters. While his current old barge, the Martin Luther, has to go into the shipyard for an overhaul, the shipping company gives him command of the elegant cruise ship Julia to temporarily replace a colleague who has fallen ill. The rough Ebbs finds his way into his new job only with difficulty and initially puts his foot in his social mouth.

Detective C.G. begins to investigate the death of an attractive woman whose naked body was found in Beverly Hills. When he recovers her journal, he is taken into her past where he finds that she lead a sexually promiscuous life. Perhaps in the pages of the diary will be a clue to her killer's identity.