Edith Mathis

Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.

The world’s only psychedelic children’s opera about an alien invasion.

A 1968 production of Hans-Werner Henze's comic opera filmed at Berlin's Deutsche Oper. With the plot centering around how a whole town is deceived into taking a dressed monkey as a young lord, the work features performances from, among others, Edith Mathis, Donald Grobe and Barry McDaniel. Christoph von Dohnányi conducts.

Live performance of Mozart's immortal Requiem in D minor from the Herkulessaal in Munich, 1984. Soprano Edith Mathis, alto Trudeliese Schmidt, tenor Peter Schreier, and bass Gwynne Howell, with the The Bavarian Radio Symphony and Orchestra, are conducted by Sir Colin Davis.

Director Rolf Liebermann’s 1968 filmed-for-TV production of Carl Maria von Weber’s opera, with the Hamburg State Opera performing an adapted stage version. Soloists include Bernhard Minetti, Toni Blankenheim and Arlene Saunders. The conductor is Leopold Ludwig.