Herbert von Karajan: Verdi: Requiem

Conductor Herbert Von Karajan leading the Berlin Orchestra through Beethoven's Concerto in D Major for Violin and Orchestra

World-renowned conductor Herbert Von Karajan directs the Berlin Philharmonic Orchestra in this performance of Bach's Violin Concerto No. 2 for a New Year's Eve concert filmed in Berlin in 1984. Together with noted violinist Anne-Sophie Mutter and gifted vocalists Judith Blegen, Helga Muller Molinari, Francisco Araiza and Robert Holl, Karajan and his orchestra present a remarkable performance of Bach's masterwork.

Renowned Austrian conductor Herbert von Karajan leads the Berlin Philharmonic Orchestra in this 1983 performance of Richard Strauss's acclaimed "Eine Alpensinfonie," one of the German composer's most sweeping works. The symphony was written to evoke the sense of spending a day hiking in the mountains, an adventure these world-class musicians capture in this resounding and stirring rendition under Von Karajan's graceful direction.

Herbert von Karajan, who led the Belgian Philharmonic for more than three decades until his death in 1989, conducts this moving June 1985 concert filmed in Rome's breathtaking St. Peter's Basilica. Karajan and the orchestra take on Wolfgang Amadeus Mozart's "Coronation Mass," which displays the considerable talents of the composer and of Karajan himself, who managed to tease scores of emotion out of every note.

World-renowned classical conductor Herber Von Karajan masterfully conducts Antonin Dvorak's "Symphony No. 8" in a live 1985 concert with the Wiener Philharmoniker. The recipient of numerous international honors and awards, Dvorak traveled extensively but remained a modest man of simple tastes, loyal to his Czech nationality.

This recording of Karajan's 1987 New Year's Day Concert with the Vienna Philharmonic and the ballet of the Vienna State Opera at the Großer Musikvereinsaal in Vienna features the music of Josef Strauss and Johann Strauss, Jr. With an emphasis on the polka music of these celebrated composers, this exciting concert features acclaimed soprano diva Kathleen Battle performing "Frühlingsstimmen, Op.410", a waltz by Johann Strauss, Jr.

Famed conductor Herbert Von Karajan leads the Berlin Philharmonic in a performance of what may be Vivaldi's best-known composition -- "The Four Seasons" -- in this sparkling video. Recorded in 1987 at the Chamber Music Hall, this concert features Anne-Sophie Mutter as a guest violin soloist.

This memorable concert marks Herbert von Karajan's final public appearance with the Berlin Philharmonic Orchestra before his death in 1989 and includes an early performance by piano virtuoso Evgeny Kissin.

The Wiener Philharmoniker, conducted by Herbert Von Karajan, plays the music of Antonin Dvorak - Symphony No. 9 in E Minor.

This installment of the Herbert von Karajan: His Legacy series showcases the acclaimed conductor leading the Wiener Philharmonic Orchestra in a 1984 performance of Pyotr Ilyich Tchaikovsky's Symphony no. 4 in F Minor, op. 36. One of the most legendary figures in 20th-century classical music, the Austrian-born von Karajan helmed the Berlin Philharmonic for more than 30 years, from 1955 to 1989.

Austrian maestro Herbert von Karajan conducts the Berlin Philharmonic in this 1984 performance of Tchaikovsky's last completed work -- Symphony no. 6 in B minor ("Pathétique"), op. 74 -- recorded live at Großer Musikvereinssaal in Vienna. One of classical music's most revered conductors -- and top-selling recording artists -- Herbert von Karajan led the acclaimed Berlin Philharmonic for 35 years until his death in 1989.

This installment of the Herbert von Karajan: His Legacy series showcases the acclaimed conductor leading the Wiener Philharmonic Orchestra in a 1984 performance of Pyotr Ilyich Tchaikovsky's Symphony no. 5 in E Minor, op. 64. One of the most legendary figures in 20th-century classical music, the Austrian-born von Karajan helmed the Berlin Philharmonic for more than 30 years, from 1955 to 1989.

In this program filmed not long before the maestro's death, Herbert von Karajan -- renowned Austrian conductor and longtime music director of the Berlin Philharmonic -- leads his orchestra in works by Wolfgang Amadeus Mozart and Richard Strauss. In classic style, Karajan coaxes magnificent performances from his musicians as they play Mozart's Divertimento no. 17 in D Major and Strauss's "Also Sprach Zarathustra," op. 30.

A production of Strauss' opera 'Der Rosenkavalier' performed at the Saltzburg Festival in 1984. Includes the Vienna State Opera Choir, the Philharmonic Orchestra with singers Wilma Lipp, Anna Tomowa-Sintow and Agnes Baltsa. Conducted by Herbert Von Karaja

A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.

Count Almaviva is in love with Rosina. However, she is currently staying with Dr. Bartolo – who desires to marry her. By using a series of disguises, Almaviva manages to pass letters to Rosina and serenade her with his beautiful voice. Dr. Bartolo does his best to stop Almaviva but is constantly thwarted. In the end, Count Almaviva marries Rosina and Dr. Bartolo comes to terms with his defeat.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

An Interpol agent fighting smugglers in Istanbul.

A mature, rich and bored woman called Elisabeth is taking a ride with the “Rheingold”, a first-class high-speed train of the seventies along the river Rhine. In the train she is meeting her old school mate and lover who is working as a waiter and falls in love with him again. Her husband, a busy politician, realizes what’s going on and tries to catch the train to face his wife and her lover in a fatal showdown.

A 1968 production of Hans-Werner Henze's comic opera filmed at Berlin's Deutsche Oper. With the plot centering around how a whole town is deceived into taking a dressed monkey as a young lord, the work features performances from, among others, Edith Mathis, Donald Grobe and Barry McDaniel. Christoph von Dohnányi conducts.

A young man is chosen by a magazine company to be a modeled into a public heart-throb while being dogged by a persistant reporter out to expose the fraud the company is putting out.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

Documentary based on the book by Erich von Däniken concerning the ancient mysteries of the world, such as the pyramids of Egypt and Mexico, ancient cave drawings, the monuments of Easter Island, etc., and the fact that these things and modern civilisation could have been influenced by extraterrestrial visitations hundreds (or perhaps thousands) of years ago.

Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey's Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she's supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.

Pitt and Felix, two friends from school, meet again by chance in hospital years later. Both are looking forward to fatherhood. In order to shorten the grueling wait until the baby is born, they exchange lively memories of their school days. Some embarrassments are also brought up.

Captain Ebbs is an older, experienced seaman who has, however, only sailed on freighters. While his current old barge, the Martin Luther, has to go into the shipyard for an overhaul, the shipping company gives him command of the elegant cruise ship Julia to temporarily replace a colleague who has fallen ill. The rough Ebbs finds his way into his new job only with difficulty and initially puts his foot in his social mouth.

Detective C.G. begins to investigate the death of an attractive woman whose naked body was found in Beverly Hills. When he recovers her journal, he is taken into her past where he finds that she lead a sexually promiscuous life. Perhaps in the pages of the diary will be a clue to her killer's identity.

After completing his voyages Sindbad the Sailor and his hearty crew have come home to find a palace coup d'etat has occurred and his home city is being run by a brutal dictator played by Pedro Armendariz. He's got designs on the beautiful young princess, Heidi Bruhl both lustful and political.

Film adaptation of Werner Keller's bestselling non-fiction book, which attempts to show in a "less spectacular way than the original" that archaeological finds and findings do not contradict biblical statements.