The Sensual Nature of Sound: 4 Composers Laurie Anderson, Tania Leon, Meredith Monk, Pauline Oliveros

This documentary by Michael Blackwood looks at the development and production of Glass' opera Akhnaten. The film follows two productions by the Württemberg State Theater, Stuttgart, and the Houston Grand Opera.

Japan's establishment as an economic superpower led to a Golden Age of Japanese architecture. Six innovators stand out particularly, fusing Japanese traditions with modern materials and technology.

As an architect, educator, and philosopher, Louis Kahn played a prominent role in the history of 20th century architecture. An examination of six of his most significant buildings: The Salk Institute; the Kimbell Art Museum; the Center for British Art; the library at Philips Exeter Academy; the Indian Institute of Management; and the Parliament Buildings of Bangladesh.

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.

"Butoh: Body on the Edge of Crisis" is a visually striking film portrait shot on location in Japan with the participation of the major Butoh choreographers and their companies. Although Butoh is often viewed as Japan's equivalent of modern dance, in actuality it has little to do with the rational principles of modernism. Butoh is a theater of improvisation which places the personal experiences of the dancer on center-stage. By reestablishing the ancient Japanese connection of dance, music, and masks, and by recalling the Buddhist death dances of rural Japan, Butoh incorporates much traditional theater. At the same time, it is a movement of resistance against the abandonment of traditional culture to a highly organized consumer-oriented society.

A film consisting of seven episodes directed by young West German filmmakers, some of whom were signatories of the famous Oberhausen Manifesto. The film focuses on the sometimes highly dramatic fates of young girls.

With the participation of famed architects such as Frank Gehry, Daniel Libeskind and Zaha Hadid, Peter Eisenman: Making Architecture Move provides an intimate look into the work of the daring and controversial creator. Filmed in the U.S. and Germany, Eisenman takes the viewer through several of his buildings, including the Wexner Center in Columbus, Ohio, while explaining his upcoming projects such as the Rebstockpark community in Frankfurt and the Max Reinhardt monument in Berlin. His predecessors and contemporaries offer praise and commentary on Eisenman's complex body of work including their own thoughts and theories surrounding his unique style.

Crewdson is observed and questioned closely during his work on ten new images in as many different sets.

No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.

A portrait of the eminent Nobel Prize winning physicist who greatly advanced our knowledge of the atom. Bethe discusses the milestones of his career: his student work in Germany, his flight from the Nazis, his work on the Los Alamos Atomic Bomb project under Robert Oppenheimer, and his research on the energy production in stars. In working to help solve the energy crisis of the 1970’s, Bethe established himself as one of the country’s leading spokesmen for a safe way to use nuclear energy. Speaking in support of a sensible use, he represents a side of this controversial issue that deserves more attention. The film provides crucial insight into this complex issue by one of the world’s authorities.

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.

George Segal constructs a type of human form and vulnerability that feels rare in the world of sculpture. As we follow his process at the isolated New Jersey farmhouse that serves as his studio, the intimacy between Segal and his art is contagious. He casts people who he knows, respects and admires, making the final outcome of the piece seep with personality and humanity. Segal is focused on creating a mold that does not necessarily subscribe to society’s notion of beauty. Originally released in 1979.

By the end of the 1980's a new architectural sensibility challenged the prevailing post-Modern attitude and brought forth new and daring designs. Driven by the philosophy and theory of Jacques Derrida, the architects of Deconstructivism are rooted in a movement that urges us to examine the space we move through. Deconstructivist Architects documents explosive and seemingly chaotic structures from Vienna to L.A., and interviews those who pursue its aesthetic issues. Filmed on location with the architects and at the Museum of Modern Art's exhibition Deconstructivist Architecture, which was curated by Philip Johnson.

Tadao Ando, a self-taught architect, proposes an international architecture that he believes can only be conceived by someone Japanese. His architecture mixes Piranesian drama with contemplative spaces in urban complexes, residences and chapels. This film presents the formative years of his impressive career before he embarked on projects in Europe and the United States.

An assessment of the 20th century's best known artist and his vast achievements through the insights and speculations of over a dozen participants. Filmed on the 100th anniversary of Picasso's birth at MoMA, Musée Picasso, Walker Art Center, Museu Picasso Barcelona. Featuring Henry Moore, Anthony Caro, David Hockney, Roy Lichtenstein, Robert Rosenblum, Clement Greenberg, Roland Penrose and others.

The multiple means of making art after the end of illusionism led these artists to create performances, sculptures, earthworks, tableaux, furniture, shaped canvases, and more, using unusual materials. They explore the process of making forms and giving meanings to those forms. In this idea art, their focus is as often social and psychological as artistic. Some of their activities enlist engineering and construction techniques, others compose texts or scripts that are central to their art. Some cast the viewer in the role of a spectator, while the others demand active participation. The sources for their concepts and art works are equally diverse; the delicate proportions and balance of Early Renaissance painting, the exploration of the surface of the moon, the structure and inventions of vernacular architects, to name only a few.