Meredith Monk

Turtle Dreams, produced for WGBH-TV, originally aired September 2, 1983. Shot by Ping Chong. Composed by Meredith Monk, performed by her and her Vocal Ensemble.

A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.

With minimal tools and the limitation of a single image of a woman’s head a set of pearls activates a woman’s inner drive expressing freedom of movement. Animation suggests quickly a series of possible choices. The decision is ultimately hers. An animation exploring metamorphosis accompanied with music by Meredith Monk.

Monk’s meditation on WWII and recurring cycles of intolerance, fascism, and cruelty in history originated in 1976 as a live stage work utilizing elements of music, images, movement, dialogue, film, sound, and light. This film version, shot on 16mm in the Lepercq Space at the Brooklyn Academy of Music in 1977, was created in partnership with the New York Public Library for the Performing Arts as part of their initiative to document ground-breaking live performance for future restaging. QUARRY centers on a sick American child (played by Monk herself) whose world darkens as her illness progresses, this darkening including the rise of a dictator. A unique document of this innovative, boundary-blurring production, and a work of art on its own terms, replete with a film-within-a-film directed by Monk in 1975.

Evolver is a collective virtual reality experience which drops audiences deep inside the landscape of the body, following the flow of oxygen through our branching ecosystem to a single breathing cell.

A filming of Meredith Monk and Ping Chong's 1973 experimental theatre piece.

Various faces are shown in close up.

Film by Robert Withers and Meredith Monk.

Hands move in front of various surfaces.

A rare and powerful solo performance by one of the most important and original artists in the world. Recorded in 1980 at a studio out on Long Island, Meredith is in full voice, relaxed and creatively inspired by a small audience of Monk cogniscenti. Recorded with a 3-camera shoot and then put on the shelf, Tzadik is proud to present the first release of this astonishing virtuoso solo performance. Featuring acappella compositions as well as pieces where she accompanies herself on the piano, this is an intimate view of this remarkable and sensitive Renaissance woman.

This film is a rich and haunting reinvention of medieval life that never loses its contemporary perspective. When the plague afflicts a village, this world seems to go up in an apocalypse of hatred and disease that presages our own century.

This is a documentary about an unfinished movie. Frank Zappa and the Mothers of Invention try to film the sci-fi epic "Uncle Meat."

A key, a strawberry, diamonds. Drawing on Meredith Monk's Buddhist practice, "Offering Shrine" is a meditation on human objects.

Schneemann's classic 1966 aerial "Kinetic Theatre" work was first staged at St. Mark's Church in the Bowery, with eight performers moving to a score of randomized encounter on layers of rigged ropes and pulleys. One of two video documents of this early and influential performance, this version is enacted outdoors in trees and across the surface of a lake, in sequences directed by Schneemann.

Children play. First shown normally, then shown in reverse.

Dancers rotate. Dancing shown from above. Black and white.

Five sets of hands form an ever-changing mandala.

The migration in Autumn, when the clouds carry the forests away...

Not to be confused with her longer film from 1981, this is an earlier film about Ellis Island made by Meredith Monk.

‘Mark Berger’s years of work as a representational painting can be found here, in this film portrait. Mark Berger was an actor in the Meredith Monk company and the House, from 1971 to 1974, and he uses an improvisation technique in this vision of interaction painter/subject, filmmaker/actor, artist/artist. Mark Berger’s camera records and interviews a relationship between himself and Meredith Monk, in the same way that Meredith Monk’s music as soundtrack, is a fundamental and structural aspect of film material editing. The shooting, like the painting of a portrait, was executed in a number of sessions, over a period of several weeks.’ A. Sichel.

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.

Like gnomes, dancers emerge from and hide again behind boulders. Not to be confused with Meredith Monk's 1978 opera of the same name.

A re-creation for film of Meredith Monk's seminal dance/theater work incorporating film and original music, voice, guitar, and audiotapes. Originally performed in 1966, Judson Memorial Church, New York.

A beguiling film from Meredith Monk, shot at Ann Hamilton's Tower, Geyserville, CA. Likely filmed a decade previously.