Warhol's Cinema 1963-1968: Mirror for the Sixties

Simon Pummell's (Bodysong) visually ravishing sci-fi thriller exploring the future of virtual reality and the desire to transcend human limits. The theft of an experimental drug to suppress the immune system reveals a case of virtual reality addiction and forces a detective to confront his nightmares.

This documentary, made seven years after the death of legendary filmmaker and kinetic artist Len Lye, tells Lye's story: from being a young boy staring at the sun, to travels around the Pacific and life in New York. It includes excerpts from many of his films, and interviews with second wife Ann and biographer Roger Horrocks. Len Lye himself is often heard, outlining his ideas of the ‘old brain’ and how Māori and Aboriginal art influenced his work. The grandeur of his ideas are only matched by their scale, with steel sculptures designed to be "at least 20 foot high".

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

A quiet young English girl named Alice finds herself in an alternate version of her own reality after chasing a white rabbit. She becomes surrounded by living inanimate objects and stuffed dead animals, and must find a way out of this nightmare - no matter how twisted or odd that way must be.

A very free adaptation of Marlowe's "Doctor Faustus", Goethe's "Faust" and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.

Eugene, an aging man, leads a double life - one real, the other in his dreams. He goes to see a psychoanalyst, who tries to interpret the meaning of his dreams. Eugene finds a way of entering his dream-world at will and finds out about his childhood and what really happened to his parents.

Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks...

A story about director Apichatpong Weerasethakul's parents who were both doctors, and his memories of growing up in a hospital environment.

Six Prague residents pursue bizarre rituals. Mr. Peony builds a chicken costume to wear while enacting homicidal fantasies toward neighbor Mrs. Loubalova, who does the same dressed as a dominatrix. Their mail carrier, Mrs. Malkova, inhales tiny balls of bread. Newsstand operator Mr. Kula obsessively watches the broadcasts of news anchor Mrs. Beltinska, whose husband regularly scrubs his body.

Using the tricks of the Flemish playwright's own trade--puppetry, masks, and a Breughelesque sense of bizarre carnival, the collaborators succeeded in bringing about a rich and sardonic humor lurking at the edge of the playwright's macabre, death-obsessed imagination in an allusive homage.

Suffering from a kidney disease and sure of his death, Uncle Boonmee assembles his relatives in the countryside. He reminisces about his past lives and plans to visit a place before dying.

Renowned artist and filmmaker Dave McKean (MirrorMask) brings his distinctive blend of live action and gorgeously wrought animation to this dreamlike reverie about four people whose weekend idyll in an isolated English seaside home becomes an opportunity for spiritual healing.

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

Rawang, an immigrant from Bangladesh living in awful conditions, takes pity on a Chinese man, Hsiao-kang, who is beaten up and left in the street. Rawang lovingly nurses him on a mattress he found. When he is almost healed, Hsiao-kang meets the waitress Chyi. His love for Rawang is put to the test.

A magnet moves on a floor. A moth beats against a window. A doll child watches the magnet; threads of metal filings gather around the magnet.