Ondine

Warhol's Factory visits Los Angeles.

A man investigates the grisly crimes that occurred in a former insane asylum, unsettling the locals who all seem to have something to hide.

Batman Dracula is a 1964 black and white American film produced and directed by Andy Warhol, without the permission of DC Comics. The film was screened only at Warhol's art exhibits. A fan of the Batman series, Warhol made the movie as a homage. Batman Dracula is considered to be the first film featuring a blatantly campy Batman. The film was thought to have been lost until scenes from it were shown at some length in the documentary Jack Smith and the Destruction of Atlantis.

A film producer murders his star actress during an erotic "game" and makes it look like suicide. The dead girl's lesbian lover discovers what happened, and plots her revenge.

Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

A sexually voracious young woman receives a dirty phone call from a stranger; so satisfied by the experience, she sets out to find him somewhere in New York City.

Ondine and Sally Dixon "star" as ecstatic 19th century lovers in Jacoby's first home-processed film.

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the starting point for scene by scene improvisation Auder drew his cast from Warhol's ensemble – including not only Viva and Louis Waldon, but also Taylor Mead, Ondine, Andrea Feldman, Gerard Melanga and others.

L'AMICO FRIED'S GLAMOROUS FRIENDS "...is built around a pas de deux by Ondine and Sally Dixon... with a quickness of breath and dryness of the throat one is apt to say, 'What is that!' as if peering into some exotic fog. The sometimes lovely and sometimes not beautiful but nearly always exquisite collisions of light and shadow upon the screen which seduces us... And may as likely cause one to squirm in one's seat..." - Carmen Vigil, former Program Director of San Francisco Cinematheque

In this movie, director Volker Koch wants to reveal "petty-bourgeois fixations of consciousness and late capitalist myths of happiness". The protagonists: an American hustler, a drama student, a Munich waitress and her boyfriend who hope for money, a career and luck from a trip to Rome together.

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol insisted that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side. The film's title is a pun on the rating system used by critics to rank films, with "four stars" being the highest rating. From Wikipedia.

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

This is one of several films and slide shows that feature Smith as a mock celebrity. It opens with the excerpt from No President originally called "Marsh Gas of Flatulandia" - several minutes of black and white footage of steam escaping from manholes segues to an interior scene of various creatures emerging from dry ice vapors - then shifts to show the filmmaker, clad in a leopard skin jump suit, attended by a nurse as he sits amidst the detritus of his duplex loft. A fan presents him with a black-and-white glamour shot to autograph as Ondine, dressed entirely in black leather, snaps his picture. Violence erupts as the nurse takes out a whip to discipline the star's fans. When a female creature pulls out the same dagger depicted in the glamour shot, Smith jumps up and shakes the weapon from her hand. The action is post-scripted with footage of a steam shovel patrolling the rubble where the Broadway Central Hotel once stood.

A few basic gestures, deliberately excluding indefinite states in between.

Warhol plunked a horse named Mighty Byrd in the middle of the Factory for this dark, homoerotic take on the classic oater that later anticipates his later western epic Lonesome Cowboys.

Edie Sedgwick hanging out at her apartment with Ondine and others in an alcohol and amphetamine–fueled talkfest.