Gerard Malanga

In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.

On the evening of November 8th, 1966, following the afternoon filming of The George Hamilton Story, a movie in which Warhol cast his mother Julia as an “aging peroxide movie star with a lot of husbands”, – “ We’re trying to bring back old people.” – he took his crew and a much larger cast to Kaleidoscope, fashion designer Tiger Morse’s boutique shop on Madison Avenue in New York City, to shoot his second unreleased film of the day. A nocturnal tale of downtown bulls in an uptown China shop, Paranoia is a portrait of the always captivating, always hilarious Morse as she converses with everyone in front of and behind the camera while genuinely attempting to keep the Superstars in the room from wreaking havoc on her uniquely curated curios.

A documentary on the legendary creator and victim of pop art. Warhol, revolutionary and controversial, was never afraid to break the mold and reshape the reals of art, advertising, and directing. But who was the real man being behind the colors in which he hid?

According to Hesiod, autumn begins when the Pleiades, the daughters of Atlas, rise. It is generally said that autumn is the most beautiful of the seasons, for the spectacle that nature offers but also because it is the time of the harvest and the grape harvest: "the march of Bacchus and his procession" wrote Lucretius.

Batman Dracula is a 1964 black and white American film produced and directed by Andy Warhol, without the permission of DC Comics. The film was screened only at Warhol's art exhibits. A fan of the Batman series, Warhol made the movie as a homage. Batman Dracula is considered to be the first film featuring a blatantly campy Batman. The film was thought to have been lost until scenes from it were shown at some length in the documentary Jack Smith and the Destruction of Atlantis.

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the starting point for scene by scene improvisation Auder drew his cast from Warhol's ensemble – including not only Viva and Louis Waldon, but also Taylor Mead, Ondine, Andrea Feldman, Gerard Melanga and others.

Follows various residents of the Chelsea Hotel in 1966 New York City.

"Fu" is one of two rolls Warhol shot for Couch that includes heterosexual sex, albeit with two men and a woman. Features the trio of Rufus Collins, Kate Heliczer, and Gerard Malanga. Unused in Couch.

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol insisted that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side. The film's title is a pun on the rating system used by critics to rank films, with "four stars" being the highest rating. From Wikipedia.

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

This compilation of Gerard Malanga's short films consists of a collection of extremely rare footage and film portraits providing candid and interesting glimpses of Bob Dylan, Salvador Dalí, Jane Fonda and The Velvet Underground among other 1960s icons and featuring original music by Angus MacLise, who was the first drummer to perform with The Velvet Underground.

The 29-minute experimental film Christmas on Earth caused a sensation when it first screened in New York City in 1964. Its orgy scenes, double projections and overlapping images shattered artistic conventions and announced a powerful new voice in the city's underground film scene. All the more remarkable, that vision belonged to a teenager, 18-year-old Barbara Rubin. A Zelig of the '60s, she introduced Andy Warhol to the Velvet Underground, Bob Dylan to Kabbalah and bewitched Allen Ginsberg. The same unbridled creativity that inspired her to make films when women simply didn't, saw her breach yet another male domain, Orthodox Judaism, before her mysterious death at 35. Lifelong friend Jonas Mekas saved all her letters, creating a rich archive that filmmaker Chuck Smith carefully sculpts into this fascinating portrait of a nearly forgotten artist. An avante-garde maverick, a rebel in a man's world, Barbara Rubin regains her rightful place in film history.

"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.

Soap Opera, starring Baby Jane Holzer and Lester Persky, among Factory regulars, intercuts television commercials of its day with silent domestic scenes shot by Warhol.

“Quick Constant and Solid Instant documents a Flux Mass at Voorhees Chapel at Rutgers University in 1969; intercut with the paintings of John Wallington, and Rod Townley on his Harley Davidson motorcycle. Soundtrack: Gerard Malanga, reading his poems at The Rose Room, Rutgers University, 1969.” – Wheeler Winston Dixon “The rich filmic collapse of personal memory into cultural history is summed up at the end of Quick Constant and Solid Instant (1969), a Fluxus performance set to a Gerard Malanga poetry reading. ‘It will take you a long time,’ intones Malanga, ‘to understand why I wrote poems for you.’” - Ed Halter, The Village Voice

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

The Velvet Underground's first public appearance, filmed in Super 8 at a Psychiatrist's Convention, at the Delmonico Hotel, New York, January 14, 1966. Andy Warhol was invited to speak at the annual banquet of the New York Society for Clinical Psychiatry. He brought along the Velvets and other factory regulars.

Ron Rice's Chumlum is one of those films in which the conditions of its construction are integral to the experience of watching it. It is a record of a cadre of creative people having fun on camera, playing dress-up, dancing, flirting, lazing around.

Salvador Dalí is a 35-minute film directed by Andy Warhol. The film features surrealist artist Salvador Dalí visiting The Factory and meeting the rock band The Velvet Underground.

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.

A rapid montage collage featuring Jack Smith and a Warholian kiss.