Taylor Mead

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

An anthology of eleven vignettes featuring star-studded casts of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.

A horrific explosion creates a dimensional portal between Tromaville and its dimensional mirror image, Amortville. While the Toxie is trapped in the mirror dimension, Tromaville comes under the control of his evil doppelganger, the Noxious Offender.

A gang of thieves are robbing luxury apartments in Rome, but after emptying the villa of the wealthy Mr. Douglas, the thieves are beginning to die.

Warhol's Factory visits Los Angeles.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

The president of the United Status, who, when he isn’t at the White House— a dilapidated Victorian— conducts his top-secret affairs on a deserted beach.

Produced over several years between 1962 and 1967, Grimaces shows the faces of over a hundred artists, gallery owners and critics grimacing to the camera.

The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Daddy kicks Candy out of the house because she’s been promiscuous and threw a big party.

A group of unemployed theater actors survive by working as illegal money collectors. The loan shark they are working for owns an Off-Broadway theater. As he decided to play "American Buffalo" there, a bloody battle for the favorite roles begin.

A young woman who is obsessed with Buster Keaton stays in the sanatorium where the actor was once a patient.

Former Warhol Superstar and creator of the seminal sexual politics performance spectacular Bitch!Dyke!Faghag!Whore!, Penny Arcade, washed up on the shores of the Lower East Side of New York as a teenager in 1967. After decades in the Downtown art world, Penny’s personal relationships with dozens of outrageous characters, from the world famous to the fascinatingly obscure, led to the creation of the Lower East Side Biography Project, an oral history of New York’s Bohemian culture from the 1950s to the present. These half-hour biographies have broadcast weekly on Time Warner Manhattan Cable Television for 20 years. Beyond Queer is a feature documentary compiled from these television interviews.

"Consisting of a poetic stream of razor-sharp images, the overt content of SENSELESS portrays ecstatic travelers going to pot over the fantasies and pleasures of a trip to Mexico... highly effective cutting subtly interweaves the contrapuntal developement of themes of love and hate, peace and violence, beauty and destruction."-- David Brooks.

In 1969, Taylor Mead complained to his friend artist Wynn Chamberlain that Andy Warhol had never paid him for any of the work he had done for him and Wynn said he would make a film especially for Taylor. Inspired by the banality of 1960's television, Chamberlain wrote and directed Brand X, an 87 minute series of faux television shows spoofing the politics and mass media of the day, complete with commercials for Sex, Sweat, Computer Dating and Peanut Butter. BRAND X follows Taylor Mead through a day in a wacky television studio as he portrays an exercise guru, a talk show host, a veteran returning from the American Civil War, a hospital patient in a soap opera, the President of the United States and a televangelist giving the Nightly Sermon. BRAND X satirizes President Nixon, the Vietnam War, sex, drugs, computers, money and race relations.

Icon of pop art, Andy Warhol has marked the 20th century. This film pays tribute to him with the exceptional participation of Ultraviolet, never-before-seen images of the "private" Warhol and archival documents from the Velvet Underground, Mick Jagger, David Bowie, Truman Capote.

A 1950s accountant with a restless wife grows paranoid after hiding a milk thief's corpse next door.

Alice ends up in the derelict houses of Coney Island and Times Square. She sinks into a wonderland of decadence and despair, into the no-mans-land of lost souls, charlatans, broken dreams and cheap perversions.

Taylor plays Carlo, a famous Italian film producer, and Cyrinda Fox plays his wife Sophia, a famous Italian movie star. Sophia, who has fired his driver Ninno, has to re-hire the driver in order to keep Carlo sexually excited so he can impregnate Sophia.

Shot during Warhol's cross-county trip to Los Angeles during his second exhibition at the Ferus - the same trip during which he filmed the footage for Elvis at Ferus. Locations included Hollywood, Malibu, Venice, Pasadena, Topanga Canyon, the Santa Monica pier and the Beverly Hills Hotel.

Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

“The film flickers through a millennium of culture as it would appear to a tourist. It is an intense film, yet there is an incredible wealth of information surprisingly accessible. Aside from the exciting experience itself, the breakneck history lesson is a reminder that the mind can move in lightning steps: The plodding way information is typically presented is an insult to mental capability.” - Bartlett Naylor

Based on Jerome Hill's unpublished novel, Peacock Feathers, this ensemble piece focuses on the relationship between two aging sisters.