Pictures at an Exhibitionist’s

A cactus-strewn desert becomes the backdrop for this series of filmic stopovers. Great natural beauty clashes with manufactured outdoorsmanship, as a tired body and sluggish mind seek the oblivion of hotel hospitality in an arid region of artistic aspirations. The viewer is introduced to a world of prickly plants and satin-skinned succubi who prowl the alleys of western decay to staple their fig leaflets on the vertical shafts that poke unsheathed at the virgin skies of southern Arizona. The sheaths are administered, and the population prepares for cinematic coupling in a city park earmarked for culture. Enter the masculine caves that spilled forth their glittering guts onto a surface world as desperate for gems as it was for water. Witness this natural spectacle all packaged and delivered in the form of a vacation video, and marvel at the mavens of movie-making as they bombard the public with a cacophony of celluloid under the moonlit, desert sky.

Against the background of a grisly mystery, four people face a growing sense of panic and uncleanliness. Part documentary, part "cartoon," part B movie, the film asks questions to which there don't seem to be any clear-cut answers.

A high schooler from suburbia gets in touch with her sexuality while working at a dingy movie theater in the city.

Kuchar’s childhood was heavily shaped by Catholic sexual repression and guilt. Movies acted as an escape from day-to-day life, a parallel reality that reveled in sin and sensation. Teaching at the libertine San Francisco Art Institute from 1971–2011, Kuchar made numerous hot-blooded, Z-grade “classroom pictures” with his students. Several, including Club Vatican, Motel Capri and Evangelust, act as lascivious collective exorcisms of religious hypocrisy and sexual repression. Club Vatican is one of the most visually sumptuous of Kuchar’s classroom pictures, and was recently restored by the Harvard Film Archive (alongside other of Kuchar’s pedagogical free-for-alls). The frame is packed with visual stimulation and the film unfolds as a series of writhing tableaux depicting clergy and sinners alike in perverse Catholic rites. Kuchar called it “a meditation on religious upheaval via mental strife.” Starring Courtney Love!

A talented writer, Edgar Allen, arrives in Hollywood with big dreams but is quickly pulled into a world of madness and depravity. A detective investigating a series of murders discovers that they are similar to the murders that occur in the new script by Edgar. Who will survive and what parts will be left for them?

Mary was a good girl until she decides to kill all the "sexist pigs". She of course encounters many of which, and enjoys killing them.

After getting fired from his teaching job and dumped by his girlfriend, Jack, a painter, embarks on a soul searching road trip with his dog, Scout. However, bad weather and bumps in the road quickly cause more problems than he can handle. An impulsive decision to take from a bag full of unknown pills leads him on a drug-fueled journey with no destination in sight, and he soon finds himself making both friends and foes along the way.

A young man's struggle with his sexuality overtakes his life, driving him deep into his subconscious where guilt and fears of physicality chase him still further. Cornered by an intangible terror, he realises he must either break out or break down.

David is an artist and a pothead. He's fallen in love with the beautiful and sexy Serena, and things are going simply splendidly until poor David's house burns down. Serena doesn't need the bad vibes, so she splits the scene and runs off to New York with rocker and junkie Tommy. Lonely David finally turns to the sweet, sweet comfort of marijuana and his strange menagerie of friends to forget about his lost home and love

Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit.

An hour-long saga of Mick Terrific, rock 'n' roll star, and the cast of 50 he encounters on his search for "Mr. Wonderful." “PEED INTO THE WIND smears across the screen like one of those dirty underground comic books. It’s loaded with a lot of big scenes and unusual looking people that make this epic resemble a clogged toilet. Unfortunately, since several of the performers were not as loyal as Ainslie Pryor and John Thomas, the plot is difficult to follow but in no way hinders the sewer-like sequences. It’s quite enjoyable and possesses the releasing power of an enema.” –George Kuchar. Preserved by the Academy Film Archive in 2016.

“Washes of water and other liquids soak the imagery...strung together for a rather enigmatic yet definite statement on something. Only the subconscious knows for sure.” --G.K.

George Kuchar takes his Japanese student on a trip to Los Angeles and meets with his entertainment industry friends including Buck Henry, Christopher Coppola, and Jeffrey Schwarz.

Notorious underground all-girl vampXcore band Bloodrape sets out on a reunion tour to destroy everyone's flesh/feelings.

"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my camera. It’s only love: therefore it can’t harm you". Joyce Wieland.

A very black mix of comedy about relationships, the media, children's beauty pageants, sex change operations and personal problems.