The Secret of Wendel Samson

A trip through Lotti's horny life -- everything from her Aryan lover and her stay in a concentration camp while he is killed for their forbidden love -- is a fascinating look at this remarkable woman through the eyes and viewfinder of Rosa von Praunheim.

AIDS victims and activists cope with hardship and society’s ignorance.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

This film powerfully documents New York City's gay community's response to the AIDS crisis as they are forced to organize themselves after the government's failure to stem the epidemic. Activists who are interviewed include playwrite Larry Kramer, People With AIDS Coalition co-founder Michael Callen (who died of AIDS in 1994), New York filmmaker and journalist Phil Zwickler, as well as representatives from ACT-UP, Queer Nation and the Gay Men's Health Crisis.

An hour-long saga of Mick Terrific, rock 'n' roll star, and the cast of 50 he encounters on his search for "Mr. Wonderful." “PEED INTO THE WIND smears across the screen like one of those dirty underground comic books. It’s loaded with a lot of big scenes and unusual looking people that make this epic resemble a clogged toilet. Unfortunately, since several of the performers were not as loyal as Ainslie Pryor and John Thomas, the plot is difficult to follow but in no way hinders the sewer-like sequences. It’s quite enjoyable and possesses the releasing power of an enema.” –George Kuchar. Preserved by the Academy Film Archive in 2016.

There is a garden in the dark hunger of his psyche where forbidden fruit grows.

Secret number... secret shape... knower of the secret name... God of the realm of night - I summon you, 'Son of Sin'... arise!

A ripe lad embarks on a raw correspondence with his mirrored image, and thus: the dialogue is "fleshed out" to its full potential.

He sighs for strange and hidden cities whose walls are pink stone, inlaid with opals, ebony and silver, and for altars where the body is worshiped under the shrine of night.

...What once was for him "real," is now but a "dream," --for the day comes when we find ourselves stranded with memories.

Playwright and performance artist Marc Arthur paves a color-saturated path from 'awake consciousness' to sleeping 'dreamscape'.

It is believed that Life originated in the Sea, and like the Ocean itself, human existance is thus subject to tides and surging currents of emotions stirred up by memory.

Seadrift is based on a story The Shadow Over Innsmouth by H.P. Lovecraft, and was shot partially in Marblehead Mass. Each section represents a synthesis of the various aspects and moods of the story. The sum total of the fragments expresses the atmosphere of the whole.

When the body's "primal" urges feel deprived in a "modern" age, a debate about "sex" and "love" ensues to resolve the question — perhaps even find some solution that will suffice!

Masked men prowling in the bushes and not touching anything but satin, dandelions and flesh.

An angry trollop and a self-doubting college kid collide in his cramped apartment for an episode of claustrophobia and self-analysis.