Secrets of the Shadow World

A 10 minute short by George Kuchar which documents a visit with producer Christopher Coppola (nephew of Francis Ford Coppola and brother of Nicolas Cage), during which Coppola rambles on about cooking, film tricks, and his shaved head.

A metropolis awash in electrical overdrive crashes in the heat of summer and sends a Bronxite into the clutches of a waterworld further north. It is there that we witness the cooling fogs and diving mammals of maritime yore and sail free in winds of a nautical nature. A nature that fills the summer sky with twinkling tidbits and the tummy with protein rich denizens of Neptune’s soup. A tour of the towering turrets of tomorrow land and the spatial splendor of yesterday’s yearnings captured on both chemical and electrical media.

A high schooler from suburbia gets in touch with her sexuality while working at a dingy movie theater in the city.

Kuchar’s childhood was heavily shaped by Catholic sexual repression and guilt. Movies acted as an escape from day-to-day life, a parallel reality that reveled in sin and sensation. Teaching at the libertine San Francisco Art Institute from 1971–2011, Kuchar made numerous hot-blooded, Z-grade “classroom pictures” with his students. Several, including Club Vatican, Motel Capri and Evangelust, act as lascivious collective exorcisms of religious hypocrisy and sexual repression. Club Vatican is one of the most visually sumptuous of Kuchar’s classroom pictures, and was recently restored by the Harvard Film Archive (alongside other of Kuchar’s pedagogical free-for-alls). The frame is packed with visual stimulation and the film unfolds as a series of writhing tableaux depicting clergy and sinners alike in perverse Catholic rites. Kuchar called it “a meditation on religious upheaval via mental strife.” Starring Courtney Love!

A talented writer, Edgar Allen, arrives in Hollywood with big dreams but is quickly pulled into a world of madness and depravity. A detective investigating a series of murders discovers that they are similar to the murders that occur in the new script by Edgar. Who will survive and what parts will be left for them?

"This film is about depression, although it's not that depressing. I suppose it has a message of faith and hope in it ... it does for me .... But then again my interest may not match yours. It was shot in San Francisco and in Central Oklahoma with a cast of one man and four women. Crushing emotions are indulged in against a massive meteorological background that brings inspiration and terror to the characters involved."

One million years in the future, the human survivors of a nuclear war are served by robots called "fleshapoids." One day, fleshapoid Xar runs wild, kills its mistress and seeks its mate, a servant of wicked Prince Gianbeno.

A desperate, married woman meets a mysterious man who she blatantly desires. Through some twists and turns, things do not go over as well as she seems to wish.

A shady motel manager becomes obsessed with a neglected wife.

"Abner L. Fuqua clears his throat and I get mad and stand close to trains or cut my eyebrow off. Dorothy is Abner's wife. Abner can slap hard, like blue magic." - graffiti

After getting fired from his teaching job and dumped by his girlfriend, Jack, a painter, embarks on a soul searching road trip with his dog, Scout. However, bad weather and bumps in the road quickly cause more problems than he can handle. An impulsive decision to take from a bag full of unknown pills leads him on a drug-fueled journey with no destination in sight, and he soon finds himself making both friends and foes along the way.

David is an artist and a pothead. He's fallen in love with the beautiful and sexy Serena, and things are going simply splendidly until poor David's house burns down. Serena doesn't need the bad vibes, so she splits the scene and runs off to New York with rocker and junkie Tommy. Lonely David finally turns to the sweet, sweet comfort of marijuana and his strange menagerie of friends to forget about his lost home and love

Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit.

"Curt McDowell's NUDES (A Sketchbook) is a paean to the filmmaker's closest friends: a series of portraits (beginning with one of George Kuchar) based on stylized, often graphically sexual interpretations of his or her personality. The portraits also, at times, represent Curt's own sexual interests as he projects them onto the lives of others. My favorites are 'Barbara', a Pre-Raphaelite vision of woman and 'Ainslie', a musical spoof on glamour. The filmmaker's point of view ranges from compulsively erotic to light-hearted and self-debunking. A broad reading of the term 'romantic' would probably best describe the spectrum of extreme, even outrageous, possibilities which Curt embraces in this sketchbook/film." - Karen Cooper, Film Forum

A utopian re-visioning of the Kronstadt Uprising of 1921, featuring film history's first cast of over 100 transgender actors, paints a portrait of formerly pro-Soviet sailors at the Kronstadt naval garrison who rebelled against the perceived failures of the new Bolshevik state.

Notorious underground all-girl vampXcore band Bloodrape sets out on a reunion tour to destroy everyone's flesh/feelings.