Kundan

Modi's first psychodramatic role as a liberal man becoming a tyrannical jailer. He loses his wife to a lover who then goes blind. The jailer locks up his wife, Kanwal, in their own home, forbidding any contact with their child, Bali. Later the jailer himself falls in love with a blind woman.

A screen adaptation of Agha Hashar Kashmiri’s Urdu play, itself based on Shakespeare’s King John. In the film (a stage-play recording), Modi plays the analogue of Shakespeare’s Hubert (named Kazal Beg), and the story follows the central events of King John.

An early social drama produced and directed by Sohrab Modi

Sohrab Modi's Meetha Zahar (Sweet Poison) is a social drama film that explores the devastating effects of alcoholism and advocates for prohibition. The narrative highlights the societal ills and personal ruin caused by alcohol, urging audiences to recognize the "evils of drinking."

Atma Tarang follows a man torn between worldly desires and spiritual awakening. As he struggles to overcome material temptations, he embarks on a journey of self-realization and inner transformation.

Khoon Ka Khoon follows Prince Hamlet as he seeks revenge for his father’s murder by his uncle, leading to betrayal, madness, and tragedy. The film blends Shakespearean drama with Indian theatrical style.

Bollywood version of The Champ. Dara Singh stars as a washed up wrestling champ with a drinking and gambling problem trying to raise his son Sunny. Complications arise when Sunny discovers that his mother is still alive, after having been led to believe that she had died many years ago.

An inheritance melodrama about Kunwar (Mahmood), the son of zamindar Himmat Singh (Sethi). Kunmar marries Shobha (Suraiya) and is disinherited, forcing him to join the army during WW2. When he is reported missing and presumed dead, a repentant Rana invites Shobha to stay with him. However, it is Kanta (Nadira), a young woman betrayed by Rana's villainous secretary Kailash (Yakub), who arrives at the house and his mistaken for Shobha. Masquerading as Shobha, who lives nearby in absolute poverty, Kanta moves in, causing a moral dilemma and generating suspense since she could be caught at any moment.

In a world of challenges, some promises remain. A social drama about finding one's way back.

Film starring Mehtab and Wasti.

A fair-minded emperor improves and introduces new laws, but ends up facing challenges when his son violates them.

A stubborn emperor plans to wage war against another who had humiliated him and his daughter.

A class division melodrama centred on Mehtab’s histrionics. Kiran (Mehtab) is the daughter of a courtesan. Her lowly origins first destroy her marriage and then threaten to jeopardise her son Prakash’s (Singh) ambitions. She is blackmailed for keeping her son’s parentage a secret from him, forcing her to return to her ancestral profession. The film was a commercial success.

Gyan leaves his wife Shobha in the care of his friend Rasik while he travels abroad. In his absence, Shobha and Rasik fall in love and have a child, Indira. Years later, unaware of the truth, Gyan returns and unknowingly arranges Indira’s marriage to Rasik’s son—her half-brother—setting the stage for a dramatic and morally complex revelation.

The story revolves around two kings, Prithvi Vallabh (Munj) of Avantipur who is kind and just, and Tailap, a neighboring king who is cruel. With the help of his sister Mrinalvati (Durga Khote) and another neighbouring king Bhillam (K. N. Singh), Tailap manages to capture Prithvi Vallabh. The rest of the film follows incidents following his captivity.

A love affair and two feuding families who play out a Romeo and Juliet type drama in 17th century India, under the Emperor Jehangir.