Ulhas

Do Bhai (English: The Two Brothers) is a 1947 Indian Bollywood film directed by Munshi Dil. Its starred Ulhas, Kamini Kaushal, Dipak Mukherjee, Tiwari, Rajan Haksar and Paro Devi in lead roles. It was the second highest grossing Indian film of 1947. Raj Karan, Nirmala's father and Forest Officer of the State had brought up Jai from childhood like his son. With the comming of youth the playful comradeship between Nirmala an Jai had naturally changed into deep love. Sarala and Shiva Karan, Nirmala's mother an brother, however hated Jai and they succeeded on day in ousting him from their home. Jai comes accross to know he has a stepmother and stepbrother. He was mistaken as the real son of his stepmother and made Yuvraaj.

This was the first of the two films based on the same mythological story directed by B.K. Adarsh, featuring his wife Jaymala as the female lead, and having the same title. The second film, released in 1970, featured Pradeep Kumar as the male lead and was produced by Jaymala. This film had Prithviraj Kapoor in the lead role and was produced by Adarsh himself.

A princess attempts to win back her kingdom from a powerful shape-shifting sorcerer.

A big-game hunter's son and a Hindu boy brave the jungle in order to deliver a baby white elephant to an Indian temple.

Progressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.

Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.

Anita is a weird girl, who either loses her memory or pretends to not remember.

Gul Mirza is a poet who sings ghazals at Shahenshah Arkat-Ul-Daula's palace and wins the heart of his daughter, Sahebzadi Aalam. They agree to marry once he finishes his service in the royal army. But when his widowed mother is murdered one night, Gul Mirza speaks out against Arkat and gets labeled a rebel, perhaps never able to meet Aalam again. Inspired by a famous legend from the Mughal era.

Radical journalist Diwakar clashes with his traditional father and a scheming politician, Vithalrao, who seizes his newspaper. Disgusted, Diwakar leaves home. His wealthy girlfriend, Nalini, initially supports Vithalrao but later campaigns for Diwakar, who represents slum-dwellers in an election. Despite her father's support, Nalini urges voters for Diwakar. Nalini wins, but Diwakar's loss is depicted as a moral victory, critiquing middle-class materialism.

A tourist guide meets an unhappy married woman who wants to take up dancing. With his motivation, she becomes a successful dancer but success corrupts the man's mind.

Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.

When mistaken to be a sage by some villagers, an ex-tour guide reflects on his past and lost love to search for spiritual wisdom to guide the villagers in this lesser-known English-language version of R.K. Narayan's classic.

Bhavani Prasad is a powerful thug, who masquerades as a priest. His son Shankar refused to follow his path so he wants his grandson Kundan to carry on the legacy. When his son protests, in a fit of rage, Bhavani gets Shankar killed and passes the buck to his cousin Naubat Lal. When Naubat Lal spills the beans he gets him killed as well, which deepens the family feud.

Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.

Shyama (Suraiya) gets a job as a servant so she can pay for her younger sister, Kiran's (Geeta Bali) education in the city. Kiran, though, is in love with a rogue, Ajit (Pran).

Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.

Childhood sweethearts Gopi and Kishen hope to get married when they are grown up. Gopi dances to the magical tunes of Kishen's clarinet (shenai), and both are virtually inseparable. Years pass by, both have grown up and Gopi's mom, Jamuna, would like Gopi to get married to a young man from Lucknow, by the name of Shekhar, who works for All India Radio. Shekhar visits them, meets Gopi, and approves of this marriage, and asks Jamuna to finalize a day for the marriage. When this news reaches Gopi and Kishen both are heartbroken, as much as Kishen would like to marry Gopi he knows that he is unemployed and poor, and hence not considered a good suitor. Additionally, his mentor and guardian, Raghunath, would like him to marry his daughter, Ramkali, and may ask him to make the ultimate sacrifice by demanding this as his guru-dakshina (teacher's fee). Then the villagers ask Kishen to leave the town as he has brought shame on them all by continuing to meet with Gopi...

A guitar-carrying musician and a rebellious runaway wealthy woman go on the run from organized gangsters.

A fictionalized account of the life of poet and nobleman Mirza Ghalib during the reign of the last Mughal Emperor, told through the lens of his ill-fated love for a beautiful courtesan he called Chaudhvin.

A newly orphaned brother-sister duo take refuge in a temple where they receive help from people who believe in them and push them to overcome several hurdles.

A Bollywood Sinbad film with effects work by Tsuburaya Productions.

After his brother gets married to his former lover, a playboy meets a French archeologist and his daughter as they are studying the Ellora Caves.

Raj Kumar Ashok belongs to a rich and aristocratic family. His parents want him to marry the best of the best girls money could find. Ashok's dad then spends a lot of money to invite proposals from all over India. But Ashok loves Kokila, who belongs to a poor family and sells flowers for a livelihood. Ashok decides to carry on his love with Kokila and at the same time witnesses the hilarious goings-on at his residence when the dads, mom, and the brides-to-be assemble - all from different parts of India - all speaking a different language. And with this multi-lingual medley, misunderstandings are bound to happen - and they do. His parents eventually select Roopa to be the bride. What will happen to the budding romance of Ashok and Kokila?

Rajesh, is very insecure and possessive almost to the point of an obsession. He introduces Meena to his close and best friend, Dr. Shekhar, and soon gets formally engaged to Meena. Thereafter, Rajesh and Meena have an automobile accident, in which Rajesh becomes paralyzed and must be confined in a wheelchair. It is then that Rajesh finds out that Shekhar and Meena are having an affair, and the old murderous and possessive hatred, that he had managed to conceal, surfaces again - and this time will it will be Shekhar's turn.