Raj Hath

Modi's first psychodramatic role as a liberal man becoming a tyrannical jailer. He loses his wife to a lover who then goes blind. The jailer locks up his wife, Kanwal, in their own home, forbidding any contact with their child, Bali. Later the jailer himself falls in love with a blind woman.

A screen adaptation of Agha Hashar Kashmiri’s Urdu play, itself based on Shakespeare’s King John. In the film (a stage-play recording), Modi plays the analogue of Shakespeare’s Hubert (named Kazal Beg), and the story follows the central events of King John.

A commoner and a noblewoman fall in love after he saves her from a fire, but her father is against their marriage.

An early social drama produced and directed by Sohrab Modi

Atma Tarang follows a man torn between worldly desires and spiritual awakening. As he struggles to overcome material temptations, he embarks on a journey of self-realization and inner transformation.

Sohrab Modi's Meetha Zahar (Sweet Poison) is a social drama film that explores the devastating effects of alcoholism and advocates for prohibition. The narrative highlights the societal ills and personal ruin caused by alcohol, urging audiences to recognize the "evils of drinking."

Khoon Ka Khoon follows Prince Hamlet as he seeks revenge for his father’s murder by his uncle, leading to betrayal, madness, and tragedy. The film blends Shakespearean drama with Indian theatrical style.

An inheritance melodrama about Kunwar (Mahmood), the son of zamindar Himmat Singh (Sethi). Kunmar marries Shobha (Suraiya) and is disinherited, forcing him to join the army during WW2. When he is reported missing and presumed dead, a repentant Rana invites Shobha to stay with him. However, it is Kanta (Nadira), a young woman betrayed by Rana's villainous secretary Kailash (Yakub), who arrives at the house and his mistaken for Shobha. Masquerading as Shobha, who lives nearby in absolute poverty, Kanta moves in, causing a moral dilemma and generating suspense since she could be caught at any moment.

Bollywood version of The Champ. Dara Singh stars as a washed up wrestling champ with a drinking and gambling problem trying to raise his son Sunny. Complications arise when Sunny discovers that his mother is still alive, after having been led to believe that she had died many years ago.

In a world of challenges, some promises remain. A social drama about finding one's way back.

Film starring Mehtab and Wasti.

A fair-minded emperor improves and introduces new laws, but ends up facing challenges when his son violates them.

A class division melodrama centred on Mehtab’s histrionics. Kiran (Mehtab) is the daughter of a courtesan. Her lowly origins first destroy her marriage and then threaten to jeopardise her son Prakash’s (Singh) ambitions. She is blackmailed for keeping her son’s parentage a secret from him, forcing her to return to her ancestral profession. The film was a commercial success.

Gyan leaves his wife Shobha in the care of his friend Rasik while he travels abroad. In his absence, Shobha and Rasik fall in love and have a child, Indira. Years later, unaware of the truth, Gyan returns and unknowingly arranges Indira’s marriage to Rasik’s son—her half-brother—setting the stage for a dramatic and morally complex revelation.

Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.

A love affair and two feuding families who play out a Romeo and Juliet type drama in 17th century India, under the Emperor Jehangir.