Golden Mountains

1920. Western countries are trying to use the Bukhara khanate — a former protectorate of tsarist Russia — to fight the Soviet regime. Arrived in Tashkent by M. V. Frunze and V. V. Kuibyshev to organize the masses to fight counter-revolutionaries and agents of foreign intelligence services.

Inventor Chudakov builds a time machine. All that remains is to interest the technical innovation officials and receive authorization to continue the experiment. And it turns out that's the hardest part! The end point in this inventor's struggle will only be set by a "phosphoric woman" arriving from a wonderful future...

The struggle of the Komsomol members against private speculators for the surrender of fish to the state.

Shura Tychinking decides to wear sombrero and make everybody to believe he's a different person just arrived from Latin America.

A Russian scientist spends a year documenting the natural world in Central Asia.

The New Adventures of Schweik adopted to the WWII reality.

Surreal Soviet fantasy movie about a man whose love is kidnapped by the Tsar and he must save her with the help of a humpbacked horse.

A story about two teenagers and their life during WWII in Urals district of Russia.

A biography of George Kastriot Skanderbeg widely known as Skanderbeg, a 15th-century Albanian lord who defended his land against the Ottoman Empire for more than two decades.

A funny story about a life of a big department store and its employees and customers.

Chronicle of the life of Russian poet Michail Lermontov, from the final days of Alexandr Pushkin to the fatal destiny of the poet himself.

Life changes for a Moscow couple after they allow an old friend of the husband’s to move in.

Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.

Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.

A story about tragic events in France during the German occupation in WWII.