Boris Poslavsky

The eve of the 1905 Russian revolution was unquiet at the Skrobotova and Bardin factory. In response to the fair demand of the workers to dismiss the cruel and rude master, the masters close the factory and call in the troops. They shoot of one of the workers, who failed to restrain a rush of hatred towards the owners, ending Skrobotov's life. Gendarmes arrive at the factory. They succeed in uncovering the social democratic organization in the factory. The arrested workers oppose hysterical cruelty of gendarmes with calm, confident courage.

A biography drama about Sergey Kirov, a prominent early Bolshevik leader in the Soviet Union.

The struggle of the Komsomol members against private speculators for the surrender of fish to the state.

The residents of the village of Staroje Dudino, located four kilometers west of the Soviet border, are completely dependent on the wealthy Novik, whose interests are protected by the local police and clergy. Novik is actively stirring up ethnic strife between the Jewish poor and Polish workers. During the traditional "black crown" ceremony (a wedding ceremony for an old man and an old woman), a group of factory workers led by the communist Haidul, together with the Jewish poor, attack the police and free Boris Bernstein, who had been sentenced to death.

The composition includes two short stories: "The Swineherd" (based on the fairy tale by H.C. Andersen) and "Heaven and Hell" (based on the short story by P. Merime).

Pyotr, backward lad from poor village, comes to town desperate for work. He's hired as replacement ("scab") worker at big metallurgical factory, which is in the throes of a strike organized by the Bolsheviks (communists). Deceitful industrialist's son involves naive young man in an attempt to murder Bolshevik leader.

Little Nikita, the son of polar scientist Sergei Ivanov, runs away from home with the intention of reaching the Arctic, where he believes his father works. The boy manages to reach Leningrad, where he ends up at the Arctic Institute. Sergei is tasked with returning the runaway home, but Nikita stubbornly hides his origins and the purpose of his escape. Soon, his grandmother arrives, and Ivanov learns that Nikita is his son. He writes a letter to his ex-wife and convinces her of the need to return to him. The couple reconciles, and, preparing for another expedition, Sergei promises his wife and young son that he will return to the mainland on time.

Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.