Sergei Yutkevich

Directing

Sergei Yutkevich

Born August 15, 1904 · St. Petersburg, Russian Empire [now Russia]

Died April 24, 1985 · aged 80

From Wikipedia, the free encyclopedia Sergei Iosifovich Yutkevich was a Soviet film director and screenwriter. Sergei Yutkevich began work as a teen doing puppet shows. Between 1921 and 1923 he studied under Vsevolod Meyerhold. He later helped found the Factory of the Eccentric Actor (FEKS), which was primarily concerned with circus and music hall acts. He entered films in the 1920s and began di…

Known For

The Great Warrior SkanderbegThe Great Warrior Skanderbeg · 1953
The Great Warrior Skanderbeg
6.41953
MovieActionHistory
A biography of George Kastriot Skanderbeg widely known as Skanderbeg, a 15th-century Albanian lord who defended his land against the Ottoman Empire for more than two decades.
LermontovLermontov · 1943
Lermontov
6.31943
MovieDramaHistory
Chronicle of the life of Russian poet Michail Lermontov, from the final days of Alexandr Pushkin to the fatal destiny of the poet himself.
The Bath HouseThe Bath House · 1962
The Bath House
7.81962
MovieAnimation
Inventor Chudakov builds a time machine. All that remains is to interest the technical innovation officials and receive authorization to continue the experiment. And it turns out that's the hardest part! The end point in this inventor's struggle will only be set by a "phosphoric woman" arriving from a wonderful future...
The GrasshopperThe Grasshopper · 1955
The Grasshopper
5.21955
MovieDrama
Osip Dymov, the titular counselor and the doctor of thirty one years, serves in two hospitals at the same time: intern and anatomist. From nine o'clock in the morning and in the forenoon accepts patients, then goes to open corpses. But its income is hardly enough for a covering of expenses of the wife mad about talents and celebrities in the art and artistic environment whom it daily accepts in the house.
Bed and SofaBed and Sofa · 1927
Bed and Sofa
6.31927
MovieComedyDrama
Life changes for a Moscow couple after they allow an old friend of the husband’s to move in.
March-AprilMarch-April · 1944
March-April
6.81944
MovieWarDrama
Schweik is Preparing For BattleSchweik is Preparing For Battle · 1942
Schweik is Preparing For Battle
1942
MovieWarComedy
Bezhin Meadow: Sequences from an Unfinished FilmBezhin Meadow: Sequences from an Unfinished Film · 1968
Bezhin Meadow: Sequences from an Unfinished Film
6.01968
MovieDrama
Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.

Filmography

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Bezhin Meadow: Sequences from an Unfinished FilmBezhin Meadow: Sequences from an Unfinished Film · 1968
Bezhin Meadow: Sequences from an Unfinished Film
6.01968
MovieDrama
Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.

Archival Footage Coordinator