Boris Feodosyev

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

A man discovers that he's not the father of his wife's baby.

The end of the 1920s. Polish Diet a bill discusses the War Ministry to increase the production of weapons and oil for the needs of the army. Occur violent clashes between right-wing forces and the Communist faction, opposed the war with the USSR. The leader of the Social Democrats Staszewski asks to project that a heavy burden will fall on the budget for improvements to the commission. At this time, in oilfield Bohuslav strike, caused by hard labor working conditions, starvation wages and anti-Soviet policy of the government.

Based on a play by a German-Jewish exile in Moscow, Friedrich Wolf, and directed by an Austrian-Jewish exile in Moscow, Herbert Rappaport, the film tells with the story of an apolitical humanitarian Jewish doctor and his politically-aware, fascism-resisting son, an intern, as their lives become entangled with the Nazis’ rise to power in 1930s Germany, where they live and practice. Things come to a head when the Nazi organization takes control of their hospital, and place a rabid antisemitic physician in charge over Mamlock and his staff.

During World War 1 a Russian soldier serves in Russian Expeditionary Force in France where he is chosen for his marksmanship and trained as a skilled sniper. After the Russian revolution the soldier returns home while his commander fights against the Soviet Russia. In 1930 the former soldier works on a factory and also he is the instructor in shooting club. Once the town that is near the Soviet border is attacked by foreign troops (the hostile state isn't named but the uniform of the soldiers resembles Finnish). The character meets againt with his former commander who serves in invading forces.

Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.

The film is about a group of people who in other times wouldn't have anything in common, some of them innocent bystanders, some moral criminals. But nothing is straightforward and simple. From Russia "the flight" continues to Constantinople, to Paris, back to Russia. Some of them have understood that they can't live outside Russia and go back maybe to be happy, maybe not, some go back to face sure death for their crimes, some don't go back and know that are going to miss homeland forever, some are comfortably well off (are they?) in exile.