Ohnsorg Theater - Die Königin von Honolulu

Commissioner Brockmann's criminal investigation is prompted by the body found by the cleaner Erna Pieper, which turns out to be very mobile! She disappears and reappears, causing considerable confusion among the survivors. The inspector and the cleaner get into a fierce competition to solve the case. The expert and the naively clever dilettante engage in a veritable battle of applied detective story logic. Which professionally proud expert likes it when a "little woman from the street" keeps messing up his work with her uneducated, "common sense" - and is successful at the same time...

Norbert and Traute get married and are now looking for a home. He is an accountant and doesn't attach much importance to things that are desirable to many others - the main thing is to live well and celebrate the festivals as they fall. She is a typist and is only used to cleanliness and correctness at home. For financial reasons, she cannot afford her own apartment for the time being. Either the rent is too high or the building cost subsidy is too high. So the young couple decide to live with Traute's parents for the time being. However, Norbert, who grew up in completely different circumstances, leaves after ten months. In order to keep her husband, Traute decides to live with him at his parents' - but that doesn't work out either.

The village tailor Witt has been burgled, and he himself has received a nasty blow to the head! The seriousness of the crime means that the gendarme in charge does not investigate the case alone - the new head of the district is eager to take over. The head of the parish, Kreyenborg, slyly supports the criminal investigation by getting help from his servant Willem, a man of "plietscher Dröhnbüdeligkeit (a charmingly clever annoyance)". The young vet Renken is also happy to help him, which his daughter Lena warmly welcomes. After confusing statements from Trina, the tailor's wife, the question arises: is there something to cover up?

The nightclub "Zum Klabautermann" in St. Pauli is a cheerful place where people like to meet. Every evening, when the two bargemen wrap the guests in sailor's yarn as supposed sailors on a long voyage and Lotti, known as "Das laufende Glück", knits the clientele, things get very lively. Can landlady Hermine prevent a competitor from poaching her "artistic" staff...?

Vicky and Robert are getting married in a week's time. Surely everything would take its normal course if it weren't for this tricky matter of an official document. Robert's mother insists on seeing Vicky's parents' marriage certificate. After all, the son is supposed to marry into an orderly relationship. But it's like a spell. The important document is and remains untraceable. An embarrassing suspicion arises: Was Rudolph and Ella Borchers' marriage perhaps not legally valid?

Meta Boldt misses nothing in the house of master butcher Tramsen. She is firmly convinced that unsustainable conditions would prevail and order would be lost if she did not keep the landlord constantly informed of all the news. Unfortunately, Meta Boldt can't find out everything through glimpses through the keyhole and overheard conversations. Slowly but surely, her half-truths get her into trouble with everyone in the house, especially as she can't keep her mouth shut...

Sculptor Max Kolbe has rented a room with the Käselau family as a "furnished gentleman" to escape his love-struck bride and to work in peace for an exhibition. But he is not safe from anything in this tenement: the women's lives seem to be dominated by gossip, curiosity and envy. But the men are no better! Kolbe's false name and his actions arouse the strongest suspicions in the house: why doesn't he go to work? Is he doing shady business? What are the young ladies looking for with him?

The grocer Karsten Kray, a widower in his prime, is being hunted: four women have set out to steer him into the harbor of a second marriage. His drinking companion Asmus Broihan, a coffee broker and bachelor with an in-depth knowledge of the establishments of "Sankt Liederlich", is completely against it. Both day and night, he is ready and eager to chase his friend Kray through the amusements of the world-famous entertainment district. He is prepared to use almost any means to thwart the plans of the boisterous ladies.

Master shoemaker Franz Anecker is raging with jealousy because he has long had a feeling that Mayor Wedekamp has his eye on his wife Lene. Old journeyman Matten believes the same, and since he loves beer and corn, he likes to keep a watchful eye on the goings-on in the house over a well-filled glass. As Matten cannot observe everything, he fails to notice that the master's young sister is particularly pleased by Wedekamp's visits.

Having been disappointed by her first marriage, Annegret Klüver, the young widow of a farmer, is a long way from remarrying. Tina Petersen takes advantage of this: The experienced maid guards the young farmer's wife like a watchdog at every turn, especially against unwanted male visitors. The "Weiberhof" thus becomes a lonely farmstead run by just two women...

Old Grandpa Meiners has to shout every word into his old-fashioned earpiece if he is to understand anything at all. That's why he doesn't notice the false friendliness of his daughter-in-law Bertha at first. All that matters to her is that the old man finally hands over the farm to Jochen, her husband, who is completely under her thumb. Only her niece Elke and the farmhand Bernd can see through the false game. But all attempts to open the old man's eyes fail because Bertha has succeeded in making Elke look bad to the old man. At the last minute, Bernd manages to play another ear trumpet into the old man's hands. Although it resembles the old ear trumpet on the outside, its built-in electric hearing aid makes the old man so perceptive that he not only hears the ticking of the clock, but also finds out what his daughter-in-law is up to.