If You Were Me 3

Anthology film of six shorts by leading Korean directors. Park Chan-Wook, tackles racial prejudice and the economic exploitation of immigrant workers through the real-life story of a Nepalese woman in Korea. Jeong Jae-Eun, tackles the plight of a paedophile released into the community. Yeo Gyun-Dong, invites disabled actor Kim Moon-Joo to re-enact his most famous protest. Im Soon-Rye, goes for the engrained sexism of Korean men with superb wit and, Park Jin-Pyo, confronts the horror of children forced into oral surgery to improve their English-speaking ability.

Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. After the success of the first anthology, a second series, If You Were Me 2, was released this year. Five notable Korean directors - Park Kyung Hee (A Smile), Ryoo Seung Wan (Crying Fist), Jung Ji Woo, Jang Jin (Guns & Talks), and Kim Dong Won - participated in the second installment, creating shorts on human rights issues of their choosing.

Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.

Funded by the National Human Rights Commission of Korea. If You Were Me 5 takes a close look at the violent nature hidden behind our eyes. 5 directors- Kang Yi Kwan, Boo Ji Young, Yoon Sung Hyun, Kim Dae Seung and Sin Dong Il disclose how closely ordinary events of society connect with our eyes. There is a hidden sexual violence beyond our eyes and the power of a controlled society works through the power beyond the eyes. Not only the violence of the eye itself, also limited the ability of individuals to see, the matter of the eye intervenes in various relationships between the individual and groups. The film demonstrates how sharp the eye has become in a society with developing technology.

In this omnibus film series produced by the National Human Rights Commission, Park Jungbum explores relating to the handicapped, Lee Sangcheol and Shin Aga turn their camera on the elderly and Min Youngkeun looks at conscientious objection to military service. In Dear Duhan, Duhan suffers from brain lesions. His friend has always felt bad for Duhan but nonetheless steals an iPad from him one day. Director Park explores the conflict and friendship between a so-called normal and a handicapped person. In Bong-gu on Delivery Shin and Lee tell the tale of an old man who helps a child find his way home, only to be accused of kidnapping. And Min talks about a Jehovah’s Witness who has just been drafted and must say goodbye to his mother in Ice River, a melodrama about a man who chooses to go to prison for his conscientious and religious objections to bearing arms. Having divorced her husband in order not to send her son to prison, his mother cannot accept her son’s choice.

A group of people possessing special abilities disguise themselves as a family to survive against heinous criminals.

Seo-joon, loses everything to voice phishing and infiltrates a organization in China to meet Kwak Pro, the designer behind this phishing system.

Suicidal Variations shows a woman in a state of total despair after she kills a man. His decapitated head follows her and she decides to escape by committing suicide.

When each member of Pink Dolls falls into a horrible accident, Eunju realizes that their hit song "White" is cursed and attempts to reveal the secret.

Min-Seo, a 17-year old rebellious high school Korean girl, lives in a small apartment with her mother and her mother’s penniless lover. She hates her mother’s lover and doesn’t understand both of them. Karim, a 29-year old Muslim migrant worker from Bangladesh has to leave Korea in a month. Before departing, he is desperately searching for his ex-boss to get his unpaid salary. One day, as Min-Seo’s summer vacation begins, Karim encounters Min-Seo on a bus, and together they set out on an emotional journey.

Three horror stories, with each set in the past, present and future.

In an underground laboratory, a brain experiment is underway. In an abandoned coal mining area, casino creditors are being murdered. Those who inherit credit are now waiting to enter the casino.

A teenager is abducted and forced to tell the scariest tales she knows, leading to this anthology of four stories: a brother and sister are under siege while home alone; a killer escapes police custody mid-flight; step-sisters take plastic surgery to nightmarishly macabre extremes; a paramedic and mother standoff over her infected young daughter.

A strange and yet unique story about hoodlums who spend most of their times either on gambling or dealing pornographies, high school students who sell their bodies, and prostitutes.

A fresco mixing the satirical, the surreal and the fantastical to portray the social and political evils of today’s Korea. A gas mask-wearing serial killer is spreading terror. Four people are on his tail on election day: Miju – a wolf-girl who leads a sect of youths who are planning their mass suicide, Bosik – a traffic cop who’s convinced he is a super hero, Patrick – a US Marine on the brink of madness following the serial killer’s murder of his Korean girlfriend, and Ju Sanggeun, the favourite of the candidates for the mayoral seat of Seoul, who has received a disturbing death threat. The man behind the mask remains a mystery. The killer is everywhere or perhaps he is simply inside each of us. –Venice Film Festival

An intellectually, aesthetically and politically challenging short film.

Ma Sun, known for being gay at school, is always insulted by a classmate. There are endless rumors at school life his boyfriend wears a girl’s underwear. Ma Taik is surprised at Ma Sun’s drumming at an audition for the school band. After performing some tunes together, they become close and special friends and practice in the band room until night. One day, their classmates find them playing together, and a rumor spreads that they are gay and in love with each other. Ma Taik stands at the crossroads of choosing either to follow their friendship and to be alone at school or to betray this friendship to survive at school. What will he choose to do?

A woman makes clothes. Someone from an underground cell intrigues her work. She gets mad. But she doesn't know yet who she gets mad at.

A boy steps on a landmine during a border crossing with his mother. When his mother disappears to find help, the boy follows a group of mysterious soldiers only to find himself in a terrifying situation.

Time-Consciousness offers four mutually contradictory versions of a series of events. The constant factors are a middle-aged poet with a gammy leg, a prostitute who may or may not be dead, and the woman’s humble room (which may or may not be tidy), where the poet does his writing. Asking "What did happen at 9:20 that evening?," the film underlines the unreliability of memory and the impossibility of objectivity.